| Issue | Title | |
| Vol 7, No 4 (2013) | A Mosaic Technique: Pique Assiette | Abstract |
| Lale Demir Oransay | ||
| Vol 8, No 2 (2014) | Adolph Sutro and the Ruins of the Sutro Baths | Abstract |
| Mary Weppler-Selear | ||
| Vol 10, No 1 (2014) | "All Writing is Garbage": Reassessing the Fragment and the Anti-Narrative Rhetoric of Antonin Artaud in a Post-Narrative World | Abstract |
| Kenneth DiMaggio | ||
| Vol 8, No 1 (2014) | An Introduction to the Historical and Artistic Significance of Two Religious Icons | Abstract |
| Anna Hamling | ||
| Vol 9, No 1 (2014) | Art, Magic, and Agency | Abstract |
| Per Bauhn | ||
| Vol 8, No 3 (2014) | Artscience and Retroprogression: Beyond the Two Cultures Paradigm | Abstract |
| Marta del Pozo Ortea | ||
| Vol 9, No 2 (2015) | Aural Iconography: Amish Singing Preserves Community Continuity and Solidarity | Abstract |
| D. Rose Elder | ||
| Vol 8, No 3 (2014) | Beadwork as an Example of Decorative Folk Art | Abstract |
| Iuliia Tormysheva | ||
| Vol 10, No 1 (2014) | Beauty, Emotion, and Globalization: How Images came to be Ruled by Words | Abstract |
| Mario Minichiello, Colin Gale | ||
| Vol 8, No 3 (2014) | Between the Myth and History: Black Market International 1985-2012 | Abstract |
| Jana Pisarikova | ||
| Vol 7, No 2 (2013) | Beyond the Spectacular: (Re)presenting Islamic Art and Politics of Display | Abstract |
| Louise Ryan | ||
| Vol 7, No 3 (2013) | Building New Perceptions of Duration through Laszlo Moholy-Nagy's "Light Space Modulator" | Abstract |
| Christina Chau | ||
| Vol 8, No 2 (2014) | Chaos, Kawaii, and Cultural Memory | Abstract |
| David Bell | ||
| Vol 7, No 3 (2013) | Cinematic and Architectonic Space in Tarkovsky's "Solaris" | Abstract |
| Blayne Fulton, Gul Kacmaz Erk | ||
| Vol 7, No 4 (2013) | Client 9: The Voice of the Unseen Solicitor | Abstract |
| Ezinne Michaelia Igwe | ||
| Vol 7, No 3 (2013) | Corporeality in the Japanese Oral Tradition of Storytelling by Biwa-Hoshi | Abstract |
| Yukihide Endo | ||
| Vol 7, No 3 (2013) | Creating: Acting from a Place of Un-Knowing | Abstract |
| Fernanda Maio | ||
| Vol 8, No 3 (2014) | Cultural Policy and Suburban Australia: From the Post-War Era to the Early 1980s | Abstract |
| Penelope Stannard | ||
| Vol 8, No 2 (2014) | Dali, Lopez, Barcelo: Art Concept and Aesthetics through Writing and Filmmaking | Abstract |
| Cristina Manzano Espinosa | ||
| Vol 8, No 3 (2014) | Ecologically-Oriented Social Cohesion and Integrity through Poetry and Arts | Abstract |
| Nilofar Shidmehr | ||
| Vol 9, No 2 (2015) | Edward Said, Tahia Carioca: Performing from a Place of Exile or a Place of Home | Abstract |
| Barbara Sellers-Young | ||
| Vol 8, No 3-4 (2014) | Excavating Immigrant History and Identity through Object-Oriented Storytelling | Abstract |
| Andreas Kratky, Daphne Ho | ||
| Vol 7, No 1 (2013) | Exploring Place through the Visual Arts: From the Real to the Ideal | Abstract |
| Reesa Sorin, Tamara Brooks | ||
| Vol 8, No 4 (2014) | Great Grand Mosque of Yazd: A Comparative Study of Oral and Documentary History | Abstract |
| Sedigheh Golshan | ||
| Vol 7, No 1 (2013) | Ideological Legacies in Greek Art of the 1970's: Shaping the 'Idea' Amid Heroism and Romanticism | Abstract |
| Vicky Karaiskou | ||
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