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Dali, Lopez, Barcelo: Art Concept and Aesthetics through Writing and Filmmaking


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1 Universidad Complutense de Madrid, Spain
     

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Painters' interest in expanding their vision about art beyond the canvas finds its place within the conceptual perspective of art creation. The need to reassure their expression and make their art more meaningful and influential gives us the key to that perspective, which we will analyze through three Spanish artists: Salvador Dali, Antonio Lopez, and Miquel Barcelo. In all of them we find a prolific activity of textual meditation. They choose different approaches such as literary, biographical, or academic. And what is even more enriching in order to study the extent of their works: they move their pictorial interest to cinema narrative. We will use a comparative methodology in three items: their formative period, the use of their texts to advance in a conceptual art perspective, and their cinema interests dealing with art aesthetics. This article has been completed within the I+D+i Research Project: The Brand Image of Spanish Cinema (CS02011-24622), financed by the Spanish Secretary of Science and Innovation.

Keywords

Art and Filmmaking, Aesthetics, Art Texts, Cinema, Spanish Painters.
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  • Dali, Lopez, Barcelo: Art Concept and Aesthetics through Writing and Filmmaking

Abstract Views: 141  |  PDF Views: 8

Authors

Cristina Manzano Espinosa
Universidad Complutense de Madrid, Spain

Abstract


Painters' interest in expanding their vision about art beyond the canvas finds its place within the conceptual perspective of art creation. The need to reassure their expression and make their art more meaningful and influential gives us the key to that perspective, which we will analyze through three Spanish artists: Salvador Dali, Antonio Lopez, and Miquel Barcelo. In all of them we find a prolific activity of textual meditation. They choose different approaches such as literary, biographical, or academic. And what is even more enriching in order to study the extent of their works: they move their pictorial interest to cinema narrative. We will use a comparative methodology in three items: their formative period, the use of their texts to advance in a conceptual art perspective, and their cinema interests dealing with art aesthetics. This article has been completed within the I+D+i Research Project: The Brand Image of Spanish Cinema (CS02011-24622), financed by the Spanish Secretary of Science and Innovation.

Keywords


Art and Filmmaking, Aesthetics, Art Texts, Cinema, Spanish Painters.

References