Open Access Open Access  Restricted Access Subscription Access
Open Access Open Access Open Access  Restricted Access Restricted Access Subscription Access

An Introduction to the Historical and Artistic Significance of Two Religious Icons


Affiliations
1 University of New Brunswick Fredericton, Canada
     

   Subscribe/Renew Journal


The Black Madonna art pieces of Czestochowa, Poland and Guadalupe, Mexico have been the most popular religious and cultural icons since the 16th century. The well-known religious images have both symbolic and practical functions in their countries of origin. What is their historical and artistic significance? What is their influence on the Polish and Mexican people and millions of other visitors every year? What - if any - are the similarities between two works of art? This study will make a preliminary analysis of the historical and artistic significance of both paintings.

Keywords

Religious Images, Virgin Mary, Virgin of Guadalupe, Popular Culture.
Subscription Login to verify subscription
User
Notifications
Font Size


  • Bible. 1965. New International Version. Division of Christian Education of the National Council of the Churches of Christ in the United States of America.
  • Boss, Sarah Jane. 1998. "The Immaculate Heart of Mary: Visions for the World" in The Church and Mary, 319-348.
  • Bumiller, Elisabeth, and Marc Lacey. 2008. "McCain Winds up Latin Trip in Mexico." New York Times, July 4, 46-48.
  • Camara Barbachano, Fernando, and Teofi lo Reyes. 1972. "Los santuarios y la peregrinaciones: Una expresion de relaciones sociales en una sociedad compleja: El caso de Mexico." Boletin Bibliografico de AntropologIa Americana 35, no. 2: 29-45.
  • Carlson, Marvin. 1996. Performance: A Critical Introduction. London: Routledge.
  • Carrasco, David. 1999. City of Sacrifice: Violence from the Aztec Empire to the Modern Americas. Boston: Beacon.
  • Carrasco, David, and Scott Sessions. 1998. Daily Life of the Aztecs: People of the Sun and Earth. New York: Greenwood Press.
  • Carrilo y Perez, Ignacio. 1895 (1797). Pensil americano florido en el origen del invierno, la imagen de Maria Santisima de Guadalupe aparecida en la corte de la septentrional America Mexico, en donde escribia esta historia.Mexico City: Libreria Religiosa.
  • Castillo, Ana, ed. 1996. Guadalupe: Goddess of the Americas/La Diosa de Las Americas; Writings on la Virgen de Guadalupe. New York: Riverhead.
  • Censo Economicos. Queretaro Arteaga: Resultados Generales, 2004. www.inegi.gob.mx.18 April 2013.
  • Cisneros, Sandra. 1996. "Guadalupe the Sex Goddess: Unearthing the Racy Past of Mexico's Most Famous Virgin." Ms. (July-August): 45
  • Clifford, James. 1988. The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art. Cambridge, MA: Harvard University Press.
  • Coleman, Simon, and John Eade. 2004. "Introduction: Reframing Pilgrimage." In Reframing Pilgrimage: Cultures in Motion, edited by Simon Coleman and John Eade, 1-26. London: Routledge.
  • Kahl, Janet. 2001. "Globalisation: Unity, Diversity or the End of Religion in the Age of Mary," in the End of Religions: Religion in an Age of Globalisation, Sydney: Sydney Studies in Religion 4, edited by Carole M. Cusack and Peter Oldmeadow, 93-110.
  • Lafaye, Jacques. 1962. The Wonders of Spain, London: Thames and Hudson
  • Maniura, Robert. 2004. Pilgrimage to Images in the Fifteenth Century: The Origins of the Cult of Our Lady of Czestochowa, Woodbridge: Boydell Press.
  • Portes, Alejandro, and Robert A. Bach. 1985. Latin Journey: Cuban and Mexican Immigrants in the United States. Berkeley: University of California Press.
  • Prothero, Stephen, ed. 2006. A Nation of Religions: the Politics of Pluralism in Multi-religious America. Chapel Hill: University of North Carolina Press.
  • Ramirez Vazquez, Pedro. 2000. "BasIlica de Guadalupe, Santuario de los Mexicanos." In Tepeyac Estudios Historicos, edited by Carmen Aguilera and Ismael Arturo Montero Garcia, 237-38. Mexico City: Universidad del Tepeyac.
  • Ramirez Velazquez, Blanca Rebecca. 1995. La region en su diferencia: Los valles cen-trales de Queretaro 1940-1990. Puebla: Red Nacional de Investigacion Ur-bana.
  • Randolph Adams, Walter. 1983. "Political and Economic Correlates of Pilgrimage Behavior." Anales de Antropologia 20: 147-72.
  • Reich, Peter L. 1995. Mexico's Hidden Revolution: The Catholic Church in Law and Politics since 1929.Notre Dame, IN: Notre Dame University Press.
  • Reisler, Mark. 1976. By the Sweat of Their Brow: Mexican Immigrant Labor in the United States. Westport, CT: Greenwood Press.
  • Ricard, Robert. 1966. The Spiritual Conquest of Mexico: An Essay on the Apostles and the Evangelizing Methods of the Mendicant Order in New Spain: 1523-1572. Berkeley: University of California Press.
  • Rinschede, Gisbert. 2004."Pilgrimage Studies at Different Levels." In Sacred Places, Sacred Spaces: The Geography of Pilgrimages, edited by Robert H. Stoddard and Alan Morinis, 95- 116.
  • Roach, Joseph. 1996. Cities of the Dead: Circum-Atlantic Performance. New York: Columbia University Press.
  • Rodriguez, Jeanette. 1994. Our Lady of Guadalupe: Faith and Empowerment among Mexican-American Women. Austin: University of Texas Press.
  • Sanchez, Miguel. 1993. Culture and Truth: The Remaking of Social Analysis. Boston: Beacon.
  • Santino, Jack. Healing, Magic, and Religion. 1985. Los Angeles, CA: California Folklore Society.
  • Soustelle, Jacques. 1966. Art of Mexico. Berkeley: University of California Press.
  • Turner, Victor and Edith Turner. 1978. Image and Pilgrimage in Christian Culture: Anthropological Perspectives, New York: Columbia University Press.
  • Turner, Victor and Edith Turner. 1982. "Postindustrial Marian Pilgrimage," in Mother Worship: Theme and Variations, edited by James J. Preston, 145, 150. Chapel Hill: University of North Carolina Press.

Abstract Views: 297

PDF Views: 6




  • An Introduction to the Historical and Artistic Significance of Two Religious Icons

Abstract Views: 297  |  PDF Views: 6

Authors

Anna Hamling
University of New Brunswick Fredericton, Canada

Abstract


The Black Madonna art pieces of Czestochowa, Poland and Guadalupe, Mexico have been the most popular religious and cultural icons since the 16th century. The well-known religious images have both symbolic and practical functions in their countries of origin. What is their historical and artistic significance? What is their influence on the Polish and Mexican people and millions of other visitors every year? What - if any - are the similarities between two works of art? This study will make a preliminary analysis of the historical and artistic significance of both paintings.

Keywords


Religious Images, Virgin Mary, Virgin of Guadalupe, Popular Culture.

References