Issue | Title | |
Vol 7, No 1 (2013) | The History of Omani Women in the Fine Arts Movement | Abstract |
Fakhriya Al-Yahyai | ||
Vol 8, No 0 (2014) | The Malay Cultural Heritage Interpretation of Light: The Art of Spirit | Abstract |
Azizi Bahauddin, Aldrin Abdullah, Nor Zarifah Maliki, Safial Aqbar Zakaria | ||
Vol 7, No 2 (2013) | The New Mythology: Heroes Yesterday and Today | Abstract |
Daniel L. Ireton | ||
Vol 7, No 4 (2013) | "The Pantheon of Dreams": Exploring Archetypes of Myth and Postmodernism in Mark Z. Danielewski's House of Leaves | Abstract |
Alison Stella | ||
Vol 7, No 3 (2013) | The Phenomenon of Circus Art in the Context of a Dialogue of Cultures: The Cross-cultural Aspect | Abstract |
Svetlana Shumakova | ||
Vol 7, No 4 (2013) | The Place of Art along Historic Route 66: Iconic America | Abstract |
Erik Prout, Maryam Karimi | ||
Vol 8, No 1 (2014) | The Tomsich School of Contemporary Dance | Abstract |
Lena Ferrufino, Olivier A. Coubard | ||
Vol 8, No 4 (2014) | The Usefulness of a Critical Discourse Analysis Approach to the Study of Newspaper Reviews of Contemporary African Art in Britain | Abstract |
Henrik Linden | ||
Vol 7, No 2 (2013) | The Usefulness of Projective Analysis in Examining Artistic Renderings of Philosophical Perspectives | Abstract |
Scot M. Rademaker | ||
Vol 9, No 3-4 (2015) | Traces of Feathers: Multiplicity, Intersubjectivity, and Transcendence in Cecilia Paredes' The Flight and Papagallo | Abstract |
Bridget Keating | ||
Vol 9, No 3-4 (2015) | Uncanny Urges: The Familiar made Strange | Abstract |
Adrienne Brown | ||
Vol 8, No 3 (2014) | Writing Ideas: Eventing Versus Venting | Abstract |
Cathryn Perazzo | ||
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