| Issue | Title | |
| Vol 8, No 3 (2014) | Intelligence in Visual Arts | Abstract |
| Luz del Carmen Vilchis Esquivel | ||
| Vol 7, No 4 (2013) | Lessons from Prison: What i Learned Teaching Art History in Prison | Abstract |
| Nancy House | ||
| Vol 8, No 1 (2014) | Literary Meanderings: A Quantum Leap in Space Travel | Abstract |
| Marta del Pozo Ortea | ||
| Vol 7, No 1 (2013) | Look it up in Your Gut | Abstract |
| Jane Mulfinger, Stephanie Washburn | ||
| Vol 8, No 2 (2014) | Moe and the Knowing Glimpse: Fanservice and Personal Seeing in Anime and Manga | Abstract |
| Keith Russell | ||
| Vol 7, No 4 (2013) | Mosaics of Recreated Broken Pieces: Art Practice and Processes as Self-Help and Self-Discovery | Abstract |
| Coral Cara | ||
| Vol 8, No 2 (2014) | Music as Propaganda of Fascist Italy (1922-43) | Abstract |
| Rossella Marisi | ||
| Vol 8, No 2 (2014) | Painting Themes, Social Memory, and National Identity in Cuban Art | Abstract |
| Christiane Paponnet-Cantat | ||
| Vol 8, No 2 (2014) | Pictorial Slippage | Abstract |
| Craig Barber | ||
| Vol 7, No 1 (2013) | Roll over Descartes: Re-Thinking Thought, Poetry, and Creativity in Rimbaud's Visionary "Seer" Letters | Abstract |
| Kenneth DiMaggio | ||
| Vol 8, No 1 (2013) | Searching for Aristotle in the Digital Age: Creating Cultural Narrative with 21st Century Media Technologies | Abstract |
| Maggie Burnette Stogner | ||
| Vol 7, No 2 (2013) | Semiotics between Time and Space | Abstract |
| Christoph Klemmt | ||
| Vol 8, No 1 (2014) | Shooting Blanks: Anri Sala's Photography and the Heritages of Post-Communist Society | Abstract |
| Ann Howington | ||
| Vol 7, No 2 (2013) | Singing High Colours and Low Colours: Investigating in Narratives of Deep Listening | Abstract |
| Lorna Ramsay | ||
| Vol 7, No 2 (2013) | Space Exploration: Assessing Designed Spaces as Visual Persuasion | Abstract |
| James Donald Ragsdale, Frances Brandau-Brown | ||
| Vol 7, No 1 (2013) | Spaciotemporal Affinity in Toru Takemitsu and Peter Doig | Abstract |
| Karl Madden | ||
| Vol 7, No 1 (2013) | Technological Variations and the Artist's Intention: Chinese Southern Song Guan Ware Case Study | Abstract |
| Meili Yang | ||
| Vol 9, No 1 (2014) | Technology and Art in Society: The Significance of "Furnace Transmutation" in Chinese Song Jun Ware | Abstract |
| Meili Yang | ||
| Vol 7, No 2 (2013) | The Analog Traces between Architectural Design and the Body as an Object of Design | Abstract |
| Adriana Salazar Lamadrid | ||
| Vol 7, No 3 (2013) | The being of a Thing and its Meaning in Social Communication | Abstract |
| Quynh Nguyen | ||
| Vol 7, No 3 (2013) | The being of a Thing and its Meaning in Social Communication | Abstract |
| Quynh Nguyen | ||
| Vol 7, No 1 (2013) | The Body and its Representations: Uncanny Embodiments of Modernity | Abstract |
| Marija R. Krtolica | ||
| Vol 8, No 2 (2014) | The Commerce of Dance: A Postmodern Analysis of the Firm's Role in Shaping Dance in Brisbane | Abstract |
| Nicole Galea, Brett Freudenberg | ||
| Vol 8, No 1 (2014) | The Digital Divine and the End of Art | Abstract |
| David L. Tucker | ||
| Vol 10, No 1 (2014) | The Ethics of Painting: Affect, Aesthetics, and Agency | Abstract |
| Elise Richman | ||
| 26 - 50 of 62 Items | First Previous 1 2 3 Next Last | |
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