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Edward Said, Tahia Carioca: Performing from a Place of Exile or a Place of Home


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1 York University, Canada
     

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Edward Said (1935-2003), intellectual and theoretical citizen of the world and author of Orientalism, at the age of fourteen attended a performance of Tahia Carioca (1915-1999), an enormously popular Egyptian dancer and actress. Said was at the time living with his family in Cairo as an exile from Palestine following the formation of the Israeli state in 1948. The evening outing to Casino Badia was arranged by Samir Yousef, Said's school friend from a private British-run academy, Victoria College. A consideration of Edward Said's encounters with and writing about Tahia Carioca reveals the ongoing repositioning of orientalism as a theoretical framework in an increasing global culture that as Said points out in Culture and Imperalism "is a sort of theatre where various political and ideological causes engage one another" (1993, xiii). This presentation argues that Said's (re) positioning of Tahia Carioca's performance acts to (re) define and (re) articulate the historical and cultural meaning of Egyptian arts.

Keywords

Edward Said, Tahia Carioca, Dance, Performance.
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  • Edward Said, Tahia Carioca: Performing from a Place of Exile or a Place of Home

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Authors

Barbara Sellers-Young
York University, Canada

Abstract


Edward Said (1935-2003), intellectual and theoretical citizen of the world and author of Orientalism, at the age of fourteen attended a performance of Tahia Carioca (1915-1999), an enormously popular Egyptian dancer and actress. Said was at the time living with his family in Cairo as an exile from Palestine following the formation of the Israeli state in 1948. The evening outing to Casino Badia was arranged by Samir Yousef, Said's school friend from a private British-run academy, Victoria College. A consideration of Edward Said's encounters with and writing about Tahia Carioca reveals the ongoing repositioning of orientalism as a theoretical framework in an increasing global culture that as Said points out in Culture and Imperalism "is a sort of theatre where various political and ideological causes engage one another" (1993, xiii). This presentation argues that Said's (re) positioning of Tahia Carioca's performance acts to (re) define and (re) articulate the historical and cultural meaning of Egyptian arts.

Keywords


Edward Said, Tahia Carioca, Dance, Performance.

References