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Artscience and Retroprogression: Beyond the Two Cultures Paradigm


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1 New York University, United States
     

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Back in 1959, P. Snow coined the term "two cultures" in the famous Rede Series. In it, he developed the idea that there are two groups of intellectuals, mutually misunderstood: the ones coming from the natural and technical sciences and the ones belonging to the arts and humanities. This paradigm, which has ruled our cultural life for the last few centuries, is coming to be transcended by what John Brockman calls the "third culture": "scientists and other thinkers in the empirical world who, through their work and expository writing, are taking the place of the traditional intellectual in rendering visible the deeper meanings of our lives." This movement of science towards the general public is parallel to another occurrence: science is transcending the lab and penetrating the art world, making its appearance inside of the museum walls by becoming part of installations and new artistic artifacts. The term "artscience" has been coined by David Edwards to address the artwork that is being produced at this rearticulation of the scientific and technological paradigm within an artistic context. This presentation will introduce artscience to the audience and also some of its most interesting practitioners.

Keywords

Artscience, Retroprogression, Two Cultures, Third Culture.
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  • Brockman, John. The Third Culture. New York: Simon & Schuster, 1995.
  • Edwards, David. Artscience. Creativity in the Post-Google Generation. Cambridge, Massachusetts: Harvard University Press, 2008.
  • Gell, Alfred Gell, Alfred. "The Technology of Enchantment and the Enchantment of Technology". IN J. Coote and A. Shelton (eds.), Anthropology, Art, and Aesthetics. Oxford: Clarendon Press, 1992, pp. 40-63.
  • Paniker, Salvador. Asimetrias. Apuntes para sobrevivir en la era de la incertidumbre. Barcelona: Debate, 2008.
  • Semerano, Roberta, (Curator). The Metamorphoses of the Virtual: One Hundred Years of Art and Freedom. Venice: Officina delle Zattere, 2013.
  • Snow, C.P. The Two Cultures and the Scientific Revolution. Cambrige, Mass. Cambridge at the U.P.,1965.

Abstract Views: 165

PDF Views: 5




  • Artscience and Retroprogression: Beyond the Two Cultures Paradigm

Abstract Views: 165  |  PDF Views: 5

Authors

Marta del Pozo Ortea
New York University, United States

Abstract


Back in 1959, P. Snow coined the term "two cultures" in the famous Rede Series. In it, he developed the idea that there are two groups of intellectuals, mutually misunderstood: the ones coming from the natural and technical sciences and the ones belonging to the arts and humanities. This paradigm, which has ruled our cultural life for the last few centuries, is coming to be transcended by what John Brockman calls the "third culture": "scientists and other thinkers in the empirical world who, through their work and expository writing, are taking the place of the traditional intellectual in rendering visible the deeper meanings of our lives." This movement of science towards the general public is parallel to another occurrence: science is transcending the lab and penetrating the art world, making its appearance inside of the museum walls by becoming part of installations and new artistic artifacts. The term "artscience" has been coined by David Edwards to address the artwork that is being produced at this rearticulation of the scientific and technological paradigm within an artistic context. This presentation will introduce artscience to the audience and also some of its most interesting practitioners.

Keywords


Artscience, Retroprogression, Two Cultures, Third Culture.

References