| Issue | Title | |
| Vol 2, No 4 (2008) | The Self-Portraits of Roy Lichtenstein: Some Reflections and Re-Definitions | Abstract |
| Carol Salus | ||
| Vol 1, No 5 (2007) | The Shadow of the Photographer: Visual Symbols and Photographic Snapshots in the Search for Self-knowledge and Fulfilment | Abstract |
| Rutherford | ||
| Vol 4, No 4 (2009) | The Silence of the Paper: Embodiment of ‘Artistic Personality’ in the Process of Art-Making | Abstract |
| Natalie Dekel | ||
| Vol 4, No 2 (2009) | The Social Function of Museums in the Digital Age | Abstract |
| Susana Smith Bautista | ||
| Vol 2, No 1 (2007) | The Solar Familiar: Fact and Fiction in Photography and Visual Anthropology | Abstract |
| Marcus G. J. Williams, Susan E. Jowsey | ||
| Vol 4, No 4 (2009) | The Spirit of (Simulated) Place: Travel, Art, and the Theme-Park Aesthetic | Abstract |
| Lisa Colletta | ||
| Vol 5, No 2 (2010) | The Study of Integrating the Learning Theory into a Web-Based Instruction for Undergraduates: Taking Music Appreciation as an Example | Abstract |
| Farn-Shin Chen, Yu-Wen Hsiao | ||
| Vol 6, No 6 (2012) | The Suburban Landscape Reframed Utilising New and Traditional Technologies to Visualise Changing Notions of Place and Belonging | Abstract |
| Maureen Ryan, Jennifer Kamp, Megan Evans | ||
| Vol 5, No 4 (2010) | The SuperCyber | Abstract |
| Yueh Hsiu Giffen Cheng | ||
| Vol 4, No 2 (2009) | The Text Selection Process in the English Classroom: Factors Guiding, Influencing, and Limiting Teacher Selection | Abstract |
| Giovanni Piccolo | ||
| Vol 4, No 1 (2009) | The Tragic Descent of Serious Reaction to Misplaced Sentiment | Abstract |
| Kevin Almond | ||
| Vol 3, No 1 (2008) | The Tulip in Turkish Art | Abstract |
| Ismail Yardimci | ||
| Vol 6, No 1 (2011) | The Un-Changing Narrative of the Game | Abstract |
| Erwin J. Warkentin | ||
| Vol 6, No 3 (2011) | The Unity of Art and Life: The Synthesis Concept of Fluxus and Zen | Abstract |
| Youjin Chung | ||
| Vol 4, No 1 (2009) | The Use of CGI to Capture the Visual Styles of Wayang Kulit Kelantan | Abstract |
| Khengkia Khor | ||
| Vol 4, No 1 (2009) | The Utilisation of Animation Techniques in Film: An Analysis of ‘Sin City’ as a Form of Visual Art | Abstract |
| Muhamad Sham Shahkat Ali | ||
| Vol 4, No 2 (2009) | The Value of Arts in Higher Education | Abstract |
| Barbara Sellers-Young | ||
| Vol 4, No 2 (2009) | The Vampire and the Pirate: Art and Archetype in the Political Imagination | Abstract |
| Kerric Harvey | ||
| Vol 4, No 5 (2010) | The Venetian Heritage of Dalmatia (Or the “Balkan” Heritage of Venice?) | Abstract |
| Thomas E. Schweigert | ||
| Vol 4, No 5 (2010) | The Violence of the Unsaid in Van Sant’s Elephant and Paranoid Park: The Active Role of the Viewer in Creating Narrative Meanings | Abstract |
| Ana Paula Barroso | ||
| Vol 5, No 5 (2011) | The Voice in Which it is Told: The Importance of the Human Voice in Life Stories and Folktales | Abstract |
| Iris Curteis | ||
| Vol 1, No 7 (2007) | The Working Lives and Career Paths of Visual Artists with Disabilities: An Exploration of their Experiences in Establishing and Maintaining Professional Practices | Abstract |
| Susan Maley | ||
| Vol 3, No 2 (2008) | The World Peace Art Initiative: Strengthening Community through Arts, Sciences and Technology | Abstract |
| Lou Rizzolo, Peter Middleton, Dave Lemberg, Marc Rizzolo | ||
| Vol 4, No 3 (2009) | The Young Child and the Masterpiece:A Review of the Literature on Aesthetic Experiences in Early Childhood | Abstract |
| Lea Mai, Robyn Gibson | ||
| Vol 4, No 1 (2009) | Theatre as a Platform for Consciousness Raising in Sarah Daniels’s Play The Devil’s Gateway | Abstract |
| Wan Roselezam Wan Yahya, Arbaayah Ali Termizi, Emily Abd Rahman | ||
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