Open Access Open Access  Restricted Access Subscription Access
Open Access Open Access Open Access  Restricted Access Restricted Access Subscription Access

The Unity of Art and Life: The Synthesis Concept of Fluxus and Zen


Affiliations
1 The University of Reading, Berkshire, United Kingdom
     

   Subscribe/Renew Journal


The desire to blur the boundaries between art and life was expressed by the Fluxus artists of the 1960s. Ken Friedman suggested that art and life art comprise a unified field of reference and a single context. The Fluxus artists' concept of the unity of life and art started with John Cage. One of Cage's questions was whether the life-art boundary must disappear, while his Zen influence focused on the sounds and noises of everyday life. Many Fluxus artists were influenced by Cage. This paper explores the Fluxus works which examined everyday activities as art, such as cutting hair, brushing teeth, and eating lunch. This is where Zen ideas suggest that there is no boundary. This paper also considers the philosophy of Fluxus and of Zen based on the unity of art and life.

Keywords

Fluxus, Performance Art, Everyday Life Event, John Cage, Ben Vautier, Alison Knowles, Dick Higgins, The Unity of Art and Life, Zen Buddhism.
Subscription Login to verify subscription
User
Notifications
Font Size

  • Anderson, Simon, Armstrong, Elisabeth, Huyssen, Andreas, Jenkins, Bruce, Kahn, Douglas, Smith, F. Owen., & Stiles, Kristine, In the Spirit of Fluxus, Walker Art Centre Minneapolis, 1993.
  • Corner, Philip, The Identical Lunch: Philip Corner Performances of a Score by Alison Knowles, Nova Broadcast Press, San Francisco, 1973.
  • Dewey, John, Art as Experience, Perigee Books, New York, 1980 [1934].
  • Filliou, Robert, 'Interview,' Robert Filliou: Genie sans talent, Exhibition guide, Musee d'art moderne Lille metropole, France, 2003.
  • Friedman, Ken, 'Forty Years of Fluxus,' The Fluxus Reader, Edited by Ken Friedman, Academy Editions, John Wiley & Sons, West Sussex, UK, 1998.
  • Gach, Gary, The Complete Idiot's Guide to Understanding Buddhism, Alpha Press, Indianapolis, USA & Great Britain, 2002.
  • Hendricks, Jon (ed.), George Maciunas to Tomas Schmit, January 1964, in Fluxus etc./Addenda II: The Gilbert and Lila Silverman Collection, Baxter Art Gallery, California Institute of Technology, September 28-October 30, 1983, ed. Jon Hendricks & Melanie Hedlund, California, 1983.
  • Kaprow, Allan, Assemblage, Environments & Happenings. Text and Design by Allan Kaprow etc, Harry N. Abrams Press, New York, 1966.
  • Kaprow, Allan, 'The Legacy of Jackson Pollock' quoted by Soloman, 'The New Art' in G. Battcock, The New Art, Dutton, 1973.
  • Mac Low, Jackson, 'Wie George Maciunas die New Yorker Avantgarde kennenlernte, und moglicherweise erfand' was man spater FLUXUS nannte, in Block, Rene (ed.), 1962 Wiesbaden Fluxus, 1982, Eine kleine Geschichte von Fluxus in drei Teilen, Harlekin Art, Berliner Kunstlerprogramm des DAAD, Wiesbaden, Berlin, 1983.
  • Mundine, Djon, 'A Casual Acquaintance', Everyday, the catalogue for the 11th Biennale of Sydney, 1998.
  • Nicholls, David, The Cambridge Companion to John Cage, Cambridge University Press, Cambridge, 2002.
  • O'Regan, Richard, 'There's Music-and Eggs-in the Air!', Stars and Stripes, Sunday, October 21, 1962.
  • Rauschenberg, Robert, 'Untitled Statement', Sixteen Americans, The Museum of Modern Art New York, 1959.
  • Seager, Richard Hughes, Buddhism in America, Columbia University Press, New York, 1999.
  • Stiles, Kristine, 'Between Water and Stone: Fluxus Performance', in Armstrong and Rothfuss, In the Spirit of Fluxus, Walker Art Centre, Minneapolis, 1993.
  • Stiles, Kristine, Theories and Documents of contemporary Art: A sourcebook of artists' writings, University of California Press, Berkeley & London, 1996.
  • Tisdall, Caroline, Joseph Beuys, Thames & Hudson, New York, 1979.

Abstract Views: 158

PDF Views: 0




  • The Unity of Art and Life: The Synthesis Concept of Fluxus and Zen

Abstract Views: 158  |  PDF Views: 0

Authors

Youjin Chung
The University of Reading, Berkshire, United Kingdom

Abstract


The desire to blur the boundaries between art and life was expressed by the Fluxus artists of the 1960s. Ken Friedman suggested that art and life art comprise a unified field of reference and a single context. The Fluxus artists' concept of the unity of life and art started with John Cage. One of Cage's questions was whether the life-art boundary must disappear, while his Zen influence focused on the sounds and noises of everyday life. Many Fluxus artists were influenced by Cage. This paper explores the Fluxus works which examined everyday activities as art, such as cutting hair, brushing teeth, and eating lunch. This is where Zen ideas suggest that there is no boundary. This paper also considers the philosophy of Fluxus and of Zen based on the unity of art and life.

Keywords


Fluxus, Performance Art, Everyday Life Event, John Cage, Ben Vautier, Alison Knowles, Dick Higgins, The Unity of Art and Life, Zen Buddhism.

References