Issue | Title | |
Vol 4, No 2 (2009) | The Orange Revolution: Children's Self-Expressions Through Their Artworks | Abstract |
Joanna Black, Orest Cap | ||
Vol 6, No 3 (2011) | The Ottoman Clothing Heritage: The Contribution of Turkish Designers and the Natural Dye Research & Development Laboratory (DATU) | Abstract |
Dilek Cukul | ||
Vol 5, No 3 (2010) | The Painting Room: A Painterly Approach to Research | Abstract |
Bridget Grady | ||
Vol 5, No 2 (2010) | The Parodic Use of the ‘Party Consciousness’ in Cunningham’s ‘The Hours’: An Intertextual Approach | Abstract |
Soha Raafat Ibrahim | ||
Vol 1, No 4 (2007) | The Pedagogy of Dance Performance in the University: Internal and External Projects | Abstract |
Sharon Garber | ||
Vol 6, No 1 (2011) | The Perception of Turkish Undergraduate Art Education Students on the Effect of Cultural Values through Artistic Representation | Abstract |
A. Dilek Kiratli, Suzan Duygu Eristi | ||
Vol 4, No 1 (2009) | The Phenomenological Study of an Art Process | Abstract |
Duygu Beykal | ||
Vol 5, No 4 (2010) | The Pictorial Syntax in the Background of the Painting ‘ready made de l’histoire dans café flor’ (1987/88) by Jörg Immendorff | Abstract |
Harry Roedel | ||
Vol 4, No 2 (2009) | The Plastic Analysis of Rembrandt's "the Company of Captain Frans Banning Cocq" also Known as "the Night Watch" | Abstract |
Leyla Varlik Senturk | ||
Vol 1, No 7 (2007) | The Poetic Dialogue Project 2006 Poetry: Women: Art | Abstract |
Beth Shadur, Lois Roma-Deeley, Robin Behn, Mirjana Ugrinov, Laura Cloud | ||
Vol 4, No 5 (2010) | The Postcolonial Sentimental: Imagining Cornelio | Abstract |
Rene J. Marquez | ||
Vol 1, No 6 (2007) | The Potential for a Rich variety of Learning Opportunities that can be Facilitated through the Learning Area Arts and Culture, with Emphasis on Visual Art | Abstract |
Georina Westraadt | ||
Vol 7, No 0 (2013) | The Power and the Glory: Power Fields of Art-Making in Culture and Community | Abstract |
Faye Stanley, Janinka Greenwood | ||
Vol 1, No 6 (2007) | The Public Interest, Freedom of Expression, and Cinematic Racism | Abstract |
Opoku Agyeman | ||
Vol 1, No 4 (2007) | The Public's Familiarization with Images of 'Heroic Rapes' in Medicean Florence | Abstract |
Yael Even | ||
Vol 1, No 5 (2007) | The Reflexive Muse: Online Creative Writing Development in Africa and the UK Academy | Abstract |
Graham Mort | ||
Vol 4, No 6 (2010) | The Relation between the Executive Function and the Process of Artistic Creation: Its Influence on Pro-Social Behavior | Abstract |
Isabel Maria Granados, Callejon M. Dolores | ||
Vol 5, No 2 (2010) | The Relation of Architecture and Photography: Design Process of New Spaces in Historical Contexts | Abstract |
Shiva Yaghmaeian, Golzar Younesi | ||
Vol 6, No 1 (2011) | The Requirements of an Appropriate Art Classroom for Creative and Critical Thinking in Girls' Intermediate Schools | Abstract |
Abeer Alawad | ||
Vol 4, No 2 (2009) | The Research and Development of Natural Color Batik Product in Community: Case Study in Namo Batik Group, Nakhon Si Thammarat, Thailand | Abstract |
Saowanit Kanchanarat, Nuanchawee Sangchai | ||
Vol 1, No 7 (2007) | The Return of the Author: Developing Effective Modes of Collaboration between Writing Practitioners and Analytical Theorists | Abstract |
Corinne Fowler, Graham Mort | ||
Vol 4, No 4 (2009) | The Rise of Chinese Contemporary Art: Deciphering the Connection between Art, Value and the Market | Abstract |
Jasmin Tanja Carolin Kossenjans | ||
Vol 6, No 3 (2011) | The Role of Marketing to Cultural Sponsorship: A Case Study "Chiado's Theatre Company" | Abstract |
Ines Isabel Oliveira Ramos Rebelo Morais | ||
Vol 5, No 1 (2010) | The Role of Photo-Surrealism in Print Advertisements | Abstract |
Raqee Sabah Najmuldeen, June Siok Kheng Ngo | ||
Vol 1, No 5 (2007) | The Role of the Visual Arts in Social Change in South Africa: A Pilot Project | Abstract |
Kim Berman | ||
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