| Issue | Title | |
| Vol 10, No 4 (2013) | John Edgar Wideman's Homewood Trilogy: Wideman's Folk Vision | Abstract |
| Raymond Janifer | ||
| Vol 10, No 4 (2013) | Lasseter and The Mine with the Iron Door | Abstract |
| Simon Ryan | ||
| Vol 10, No 3 (2013) | Lurid Louisa or Angelic Alcott? Humor, Irony, and Identity in Louisa may Alcott's Stories of the 1860s | Abstract |
| Judy E. Sneller | ||
| Vol 11, No 2 (2014) | Mallrats Versus Mall Brats: Contemporary Consumer Culture and the "Nonplace" in Contemporary Italian and Irish Fiction | Abstract |
| Kristina Varade | ||
| Vol 11, No 3 (2014) | Militarism and Pacifism in Shakespeare's Antony and Cleopatra | Abstract |
| Kathleen A. Kelly | ||
| Vol 12, No 2 (2015) | Narrative Polyphony in Moll Flanders: An Appraisal of Ian Watt's Critique and Beyond | Abstract |
| Rabiya Aamir | ||
| Vol 11, No 1 (2014) | Nostalgia as Response to a Society in Transition: The Work of the South African Writer, Dana Snyman | Abstract |
| Gerhard Van Der Linde | ||
| Vol 10, No 2 (2013) | Orpheus, the Poetics of Silence, and the Humanities | Abstract |
| Angela Pitts | ||
| Vol 10, No 1 (2013) | Pecola's Quest for Identity in Toni Morrison's Novel: The Bluest Eye | Abstract |
| Shabnam Hami | ||
| Vol 11, No 2 (2014) | Perimeter Watch: Three American Soldiers Write about the Iraq War | Abstract |
| Paul Ady | ||
| Vol 11, No 1 (2014) | Possibilities for the Chinese Martial Arts Movies: The Sudden Surge of Ip Man Films | Abstract |
| Kay Li | ||
| Vol 10, No 4 (2012) | Rewriting History: A. Santhan's Portrayal of Jaffna in the Whirlwind | Abstract |
| Sivagowri Sivagurunathan | ||
| Vol 11, No 3 (2014) | Seamus Heaney and the Irish Ethnic Memory | Abstract |
| Fu-Yuan Shen | ||
| Vol 11, No 2 (2014) | Slavic Origins and Ethnicities as a Renaissance Myth in Mauro Orbini's Kingdom of the Slavs and Vinko Pribojevic's On the Origin and Glory of the Slavs | Abstract |
| Olga Nedeljkovic | ||
| Vol 10, No 2 (2013) | Social Criticism in Aravind Adiga's The White Tiger | Abstract |
| Radika Chopra | ||
| Vol 11, No 1 (2014) | Struggle on the Path of Al Rahman: Rethinking Jihad in the Cause of Mercy | Abstract |
| Ben Hardman | ||
| Vol 10, No 2 (2013) | The Archaeology of Identity: Excavating Martha Jefferson's Entanglements | Abstract |
| Carol A. Atkinson, Carol L. Benton | ||
| Vol 11, No 2 (2014) | The Artistic Imagination Gives New Life to Monsters of Japanese Mythology and Folklore | Abstract |
| Yukihide Endo | ||
| Vol 10, No 1 (2013) | The Built Narrative as Architectural History | Abstract |
| Tessa Morrison | ||
| Vol 12, No 1 (2014) | The Center and the Virtual: Re-Imaginings of English in the Digital Age and Technologies of Connection | Abstract |
| Rijuta Komal Das | ||
| Vol 11, No 1 (2014) | The Impact of Post-Writer Histories on the Significance of UK Literary Houses | Abstract |
| Pardoe James | ||
| Vol 11, No 3 (2014) | The Journey of the Soul in Attar and Langland | Abstract |
| Navid Saberi-Najafi | ||
| Vol 10, No 3 (2013) | The Life Writing of Hannah Cullwick | Abstract |
| Sarah MacDonald | ||
| Vol 11, No 3 (2014) | The Realism of Transcendence: A Critical Analysis of Hedwig Conrad-Martius' Early Ontology | Abstract |
| Ronny Miron | ||
| Vol 10, No 2 (2013) | The Subversion of Master's Defining Power in Toni Morrison's Beloved | Abstract |
| Sima Farshid | ||
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