| Issue | Title | |
| Vol 11, No 2 (2014) | Thomas Pynchon's The Crying of Lot 49: A Hyperreal Apocalypse | Abstract |
| Sima Farshid, Hanieh Mehr Motlagh | ||
| Vol 11, No 3 (2014) | "Till This Moment, I never Knew Myself": Developing Consciousness and Character in Pride and Prejudice and the Portrait of a Lady | Abstract |
| Elaine M. Toia | ||
| Vol 11, No 1 (2014) | "Transcendence" in Post-Postmodern Literature | Abstract |
| Terrence Craig | ||
| Vol 12, No 2 (2015) | When Grief Keeps Company: Poetic Language and Mourning the Mother in Sarah Maguires’ ‘The Invisible Mender’ and Lucie Brock-Broido’s ‘Soul Keeping Company’ | Abstract |
| Rose Lucas | ||
| Vol 10, No 1 (2013) | White Outlaws, Black Stetsons: The Rhetorical Presence of the African-American "Stagolee" Trope in White Outlaw Myth and Literature | Abstract |
| Kenneth DiMaggio | ||
| Vol 10, No 2 (2013) | Women in Madness: "Hanjo" and "Sumidagawa" in Noh Theater | Abstract |
| Keiko Kimura | ||
| 51 - 56 of 56 Items | First Previous 1 2 3 | |
Browse Title Index
Scroll