Table of Contents
Vol 4, No 3 (2009)
Open Access
Subscription Access
Articles
Confronting (Inter) Subjectivities through Arts-Based Research:A Socio-Critical Perspective to a Community-Based Art Educational Research Project | ||
Mira Helena Kallio | ||
Vol 4, No 3 (2009), Pagination: 1-7 | ||
ABSTRACT | PDF | Abstract Views: 128 | PDF Views: 0 |
Aesthetic Considerations in Community Dance:A Practitioner’s Perspective | ||
Mary Fitzgerald | ||
Vol 4, No 3 (2009), Pagination: 9-17 | ||
ABSTRACT | PDF | Abstract Views: 132 | PDF Views: 0 |
Lake Macquarie Pavilions:Connecting the Community with Artists, Places and Spaces | ||
Paola Favaro | ||
Vol 4, No 3 (2009), Pagination: 19-31 | ||
ABSTRACT | PDF | Abstract Views: 122 | PDF Views: 0 |
Resilience and the Creative Soul:A Look at an Extraordinary Process | ||
Pamela Braverman Schmidt, Debra Sheets | ||
Vol 4, No 3 (2009), Pagination: 33-40 | ||
ABSTRACT | PDF | Abstract Views: 106 | PDF Views: 0 |
Reflections on Graffiti | ||
Luz del Carmen Vilchis Esquivel | ||
Vol 4, No 3 (2009), Pagination: 41-51 | ||
ABSTRACT | PDF | Abstract Views: 86 | PDF Views: 0 |
Arts in the City and Global Changes:The Demographical Challenge | ||
Daniele Ietri, Peter Karl Kresl | ||
Vol 4, No 3 (2009), Pagination: 53-64 | ||
ABSTRACT | PDF | Abstract Views: 100 | PDF Views: 0 |
The Issue of the Representation of the ‘Margins’ in Contemporary Art Exhibitions:The Case of the Thessaloniki Biennale | ||
Aikaterini Karavida | ||
Vol 4, No 3 (2009), Pagination: 65-72 | ||
ABSTRACT | PDF | Abstract Views: 94 | PDF Views: 0 |
“Brincas of Evora” Rituals of Carnival and Performance in the South of Portugal:Rural and Traditional Festivities in the Contemporary World | ||
Isabel Bezelga, Lucilia Valente | ||
Vol 4, No 3 (2009), Pagination: 73-86 | ||
ABSTRACT | PDF | Abstract Views: 99 | PDF Views: 0 |
Leaving the Safety Zone:Trans-Cultural Encounters in Arts Education | ||
David Bell, Tracy Rohan | ||
Vol 4, No 3 (2009), Pagination: 87-97 | ||
ABSTRACT | PDF | Abstract Views: 111 | PDF Views: 0 |
Stencilled Collective Memories in the Cityscapes of Buenos Aires and Rosario in Argentina | ||
Emilse B. Hidalgo | ||
Vol 4, No 3 (2009), Pagination: 99-114 | ||
ABSTRACT | PDF | Abstract Views: 91 | PDF Views: 0 |
Engaging Visuality:Developing a University Course on Visual Culture | ||
Kevin Tavin | ||
Vol 4, No 3 (2009), Pagination: 115-123 | ||
ABSTRACT | PDF | Abstract Views: 121 | PDF Views: 0 |
Using the Arts to Impact Society:How the Art of Memoir Preserves the Legacy of Women Religious | ||
Dan Vaillancourt | ||
Vol 4, No 3 (2009), Pagination: 125-139 | ||
ABSTRACT | PDF | Abstract Views: 81 | PDF Views: 0 |
Disrupting a Regressive Cycle of Creativity | ||
Kenneth R. Austin, Stephen F. Austin | ||
Vol 4, No 3 (2009), Pagination: 141-153 | ||
ABSTRACT | PDF | Abstract Views: 95 | PDF Views: 0 |
Tolerating Art in a Liberal Society | ||
Kathryn Brown | ||
Vol 4, No 3 (2009), Pagination: 155-164 | ||
ABSTRACT | PDF | Abstract Views: 77 | PDF Views: 0 |
The Breakaway Seventies:Harald Szeemann and the Exhibition as Medium | ||
Sarah Mills | ||
Vol 4, No 3 (2009), Pagination: 165-171 | ||
ABSTRACT | PDF | Abstract Views: 111 | PDF Views: 0 |
Redefining the Notion of the Museum in the Digital Age:Web 2.0 Technologies and Contemporary Museum Theory | ||
Seth Thompson | ||
Vol 4, No 3 (2009), Pagination: 173-180 | ||
ABSTRACT | PDF | Abstract Views: 85 | PDF Views: 0 |
Cultural and Transcultural Transgression at the Border:“Art is about Misunderstandings that Happen at the Borderzone”, Guillermo Gomez-Pena | ||
Shahrzad Mahootian, Dana Cole | ||
Vol 4, No 3 (2009), Pagination: 181-191 | ||
ABSTRACT | PDF | Abstract Views: 105 | PDF Views: 0 |
New Design Technologies and Cultural Predispositions in International Engineering Posters | ||
Linda P. Driskill | ||
Vol 4, No 3 (2009), Pagination: 193-208 | ||
ABSTRACT | PDF | Abstract Views: 96 | PDF Views: 0 |
Semiotics and Pedagogy:Teaching Visual Thinking to Studio, Graphic Design and Art History Students | ||
Liliana Leopardi | ||
Vol 4, No 3 (2009), Pagination: 209-214 | ||
ABSTRACT | PDF | Abstract Views: 84 | PDF Views: 0 |
Models of Site-Related Art Practice:Critical Potential and Mobility in the Phenomenological Model of Site-Specific Art | ||
Margaret Roberts | ||
Vol 4, No 3 (2009), Pagination: 215-222 | ||
ABSTRACT | PDF | Abstract Views: 87 | PDF Views: 0 |
The Olympic Dream:Reconfiguring ‘Place’ and ‘Space’ Through Growth Machine Politics | ||
Kimberly Baker | ||
Vol 4, No 3 (2009), Pagination: 223-236 | ||
ABSTRACT | PDF | Abstract Views: 96 | PDF Views: 0 |
What is History for? | ||
Terry Haydn | ||
Vol 4, No 3 (2009), Pagination: 237-241 | ||
ABSTRACT | PDF | Abstract Views: 94 | PDF Views: 0 |
From Participatory Art Forms to Interactive Culture: Towards a Critique of the Aesthetic Economy | ||
Teresa Cruz | ||
Vol 4, No 3 (2009), Pagination: 243-249 | ||
ABSTRACT | PDF | Abstract Views: 97 | PDF Views: 0 |
Head First Slide:Creative Collaboration with a Homeless Community | ||
Kurt Gohde | ||
Vol 4, No 3 (2009), Pagination: 251-258 | ||
ABSTRACT | PDF | Abstract Views: 110 | PDF Views: 0 |
Teaching Shakespeare through the Arts:New Possibilities from Shakespeare’s Globe Theatre (London) | ||
Linzy Brady | ||
Vol 4, No 3 (2009), Pagination: 259-267 | ||
ABSTRACT | PDF | Abstract Views: 88 | PDF Views: 0 |
Reimagining Identity in the Design Classroom | ||
Jan Fairbairn | ||
Vol 4, No 3 (2009), Pagination: 269-275 | ||
ABSTRACT | PDF | Abstract Views: 77 | PDF Views: 0 |
Integrated Teaching and Learning | ||
Lou Rizzolo, Peter Middleton | ||
Vol 4, No 3 (2009), Pagination: 277-289 | ||
ABSTRACT | PDF | Abstract Views: 116 | PDF Views: 0 |
Visualisation and Globalisation in the Asia-Pacific Region:The Taipei Biennial 1996-2008 | ||
Ming Turner | ||
Vol 4, No 3 (2009), Pagination: 291-301 | ||
ABSTRACT | PDF | Abstract Views: 83 | PDF Views: 0 |
Visual Poetics:The Critical Impulse in Contemporary Street Art from Paris to Melbourne | ||
Jacqueline Millner | ||
Vol 4, No 3 (2009), Pagination: 303-319 | ||
ABSTRACT | PDF | Abstract Views: 106 | PDF Views: 0 |
The Bigger Picture:Digital Graffiti Transnationally | ||
Kimberly Baker | ||
Vol 4, No 3 (2009), Pagination: 321-334 | ||
ABSTRACT | PDF | Abstract Views: 93 | PDF Views: 0 |
Questioning Performing Arts Iconographic Research Methodology | ||
Anna Mouat | ||
Vol 4, No 3 (2009), Pagination: 335-343 | ||
ABSTRACT | PDF | Abstract Views: 86 | PDF Views: 0 |
The Importance of Open Ended Creative Materials in Teacher Education: Applications of the Reggio Emilia Approach | ||
Polly Ashelman | ||
Vol 4, No 3 (2009), Pagination: 345-355 | ||
ABSTRACT | PDF | Abstract Views: 74 | PDF Views: 0 |
The Young Child and the Masterpiece:A Review of the Literature on Aesthetic Experiences in Early Childhood | ||
Lea Mai, Robyn Gibson | ||
Vol 4, No 3 (2009), Pagination: 357-368 | ||
ABSTRACT | PDF | Abstract Views: 82 | PDF Views: 0 |
Expanded Painting in the Work of Helio Oiticica and Jessica Stockholder | ||
Francesca Mataraga | ||
Vol 4, No 3 (2009), Pagination: 369-384 | ||
ABSTRACT | PDF | Abstract Views: 125 | PDF Views: 0 |
Dangerous Edge:Culture and Contradiction in Graham Greene | ||
Thomas O’Connor | ||
Vol 4, No 3 (2009), Pagination: 385-391 | ||
ABSTRACT | PDF | Abstract Views: 98 | PDF Views: 0 |
Development of Critical Visual Literacy and Aesthetic Experience in Visual Communication:A Vision of Appreciation and Care for the Environment | ||
Anahit Falihi, Wason-Ellam Linda | ||
Vol 4, No 3 (2009), Pagination: 393-401 | ||
ABSTRACT | PDF | Abstract Views: 119 | PDF Views: 0 |
At the Intersection of Medicine and Art:Reflections on Anatomical Illustration | ||
Nina Czegledy, Kim Sawchuk | ||
Vol 4, No 3 (2009), Pagination: 403-412 | ||
ABSTRACT | PDF | Abstract Views: 100 | PDF Views: 0 |
The Communicative Dynamics of Painting:Art as Activism | ||
Joan Marie Kelly | ||
Vol 4, No 3 (2009), Pagination: 413-431 | ||
ABSTRACT | PDF | Abstract Views: 100 | PDF Views: 0 |
Artspeak:Articulating Artistic Process across Cultural Boundaries through Digital Theatre | ||
Yoni Prior, Manon van der Laaken, Rose van der Zwaard | ||
Vol 4, No 3 (2009), Pagination: 433-446 | ||
ABSTRACT | PDF | Abstract Views: 128 | PDF Views: 0 |
From Immigration to Art Appreciation: The Extraordinary Case of the Morikami Museum in Florida | ||
Ilaria Serra | ||
Vol 4, No 3 (2009), Pagination: 447-455 | ||
ABSTRACT | PDF | Abstract Views: 93 | PDF Views: 0 |