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A Socio-Pragmatic Interpretation of Cartoons as Visio-Verbal Communication


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1 Department of English Language and Literature, Abia State University, Uturu, Abia, Nigeria
     

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Cartoons have become one of the most penetrating modes of social criticism. Such is the communicative potency of cartoons that many a reader has become addicted to the editorial cartoon page of their favorite newspaper or magazine. Using cartoons from two widely read Nigerian newspapers as paradigms; this paper explores how cartoons mean and communicate, using insights from pragmatics and sociolinguistics. The paper posits that even though cartoons are commonly viewed as caricatured drawings the aim of which is to create humour, they should be seen more as carefully structured means of communication in the pedigree of verbal language. Apart from the drawing, the message of a cartoon is also contained in the accompanying words, phrases and/or sentences; hence, cartoons constitute a form of visual-cum-verbal discourse whose meaning and communication potentials deserve some scholarly attention. My conclusion is that cartoons can only communicate the intended meaning and message in context where both the cartoonist's presuppositions and reader's inferences are correct.

Keywords

Cartoon, Discourse, Language, Communication, Pragmatics.
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  • A Socio-Pragmatic Interpretation of Cartoons as Visio-Verbal Communication

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Authors

Godwin I. N. Emezue
Department of English Language and Literature, Abia State University, Uturu, Abia, Nigeria

Abstract


Cartoons have become one of the most penetrating modes of social criticism. Such is the communicative potency of cartoons that many a reader has become addicted to the editorial cartoon page of their favorite newspaper or magazine. Using cartoons from two widely read Nigerian newspapers as paradigms; this paper explores how cartoons mean and communicate, using insights from pragmatics and sociolinguistics. The paper posits that even though cartoons are commonly viewed as caricatured drawings the aim of which is to create humour, they should be seen more as carefully structured means of communication in the pedigree of verbal language. Apart from the drawing, the message of a cartoon is also contained in the accompanying words, phrases and/or sentences; hence, cartoons constitute a form of visual-cum-verbal discourse whose meaning and communication potentials deserve some scholarly attention. My conclusion is that cartoons can only communicate the intended meaning and message in context where both the cartoonist's presuppositions and reader's inferences are correct.

Keywords


Cartoon, Discourse, Language, Communication, Pragmatics.