Table of Contents
Vol 4, No 4 (2009)
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Articles
| Poetry and Painting in Chinese Literati Culture | ||
| Hong Jiang | ||
| Vol 4, No 4 (2009), Pagination: 1-11 | ||
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| Defining the Moment: History, Style, and the Paris Exposition of 1925 | ||
| Alexander Varias | ||
| Vol 4, No 4 (2009), Pagination: 13-29 | ||
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| A Curious Practice: The Complexity of Viewing Art | ||
| Jo-Anne Duggan | ||
| Vol 4, No 4 (2009), Pagination: 31-42 | ||
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| How to Keep Existing in Times of Trouble: Joan Miro’s Writings of the Early Forties | ||
| Clio Meurer | ||
| Vol 4, No 4 (2009), Pagination: 43-51 | ||
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| On Thomas Lux’s Poetry: Who’s Laughing and What Good does the Laughing do? | ||
| Jeffrey Hughes Morgan | ||
| Vol 4, No 4 (2009), Pagination: 53-60 | ||
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| The Spirit of (Simulated) Place: Travel, Art, and the Theme-Park Aesthetic | ||
| Lisa Colletta | ||
| Vol 4, No 4 (2009), Pagination: 61-70 | ||
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| Fashion and Design Trend-Forecasting: Can Commerce Meet Art and Prophecy in the Global Marketplace? | ||
| Keren Muriel Chiaroni | ||
| Vol 4, No 4 (2009), Pagination: 71-79 | ||
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| What the Arts have to Teach us about Political Leadership and Social Change: Ambivalence, Chaos, Bush, Obama and the Primal Paradox | ||
| John Briggs, Raymond Saner, Lichia Yiu | ||
| Vol 4, No 4 (2009), Pagination: 81-98 | ||
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| Encouraging Reflexive Practice: Alternative Ways of Embedding Personal & Professional Development Inside the University | ||
| Claire Nichols, David Garner | ||
| Vol 4, No 4 (2009), Pagination: 99-107 | ||
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| Art Commodities from Japan: Propagating Art and Culture via the Internet | ||
| Jean Ippolito | ||
| Vol 4, No 4 (2009), Pagination: 109-116 | ||
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| Revitalizing Formosa: The Promotion of Public Art in Taiwan | ||
| Chih-Hsiang Ko | ||
| Vol 4, No 4 (2009), Pagination: 117-124 | ||
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| Extending Young Children’s Artistic Enfranchisement Through Computer-Based Music Technology | ||
| Janet McDowall | ||
| Vol 4, No 4 (2009), Pagination: 125-135 | ||
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| Identification of the Malay Vernacular Spatial Features within Malay Vernacular Houses | ||
| Amirhosein Ghaffarian Hoseini, Mohd Nasir Baharuddin, Rahinah Ibrahim | ||
| Vol 4, No 4 (2009), Pagination: 137-151 | ||
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| Madness in the Arts and the Art of Madness: The Transatlantic Research Network on Mental Health and the Arts (TRAMHA) | ||
| Gonzalo Araoz | ||
| Vol 4, No 4 (2009), Pagination: 153-160 | ||
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| Beyond Modern Æsthetics: From the Migrations of the Aura to Its Costs of Reproduction | ||
| Riccardo Baldissone | ||
| Vol 4, No 4 (2009), Pagination: 161-166 | ||
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| The Silence of the Paper: Embodiment of ‘Artistic Personality’ in the Process of Art-Making | ||
| Natalie Dekel | ||
| Vol 4, No 4 (2009), Pagination: 167-178 | ||
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| Heart Print: Chinese Rock Art Frescoes (Xin-Yin): Crossing Boarders | ||
| Bronwen Wade Leeuwen | ||
| Vol 4, No 4 (2009), Pagination: 179-186 | ||
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| The Adventures of Gary Baseman: Dumb Luck or Brilliant Creative Strategy? | ||
| Andrew Selby, Alastair Adams | ||
| Vol 4, No 4 (2009), Pagination: 187-196 | ||
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| Heartquake and Suburbia Hallucination. On Israeli Palestinian Art Collaboration | ||
| Leena A. Petersen | ||
| Vol 4, No 4 (2009), Pagination: 197-202 | ||
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| Towards a Model of Intersemiotic Translation | ||
| Daniella Aguiar, Joao Queiroz | ||
| Vol 4, No 4 (2009), Pagination: 203-210 | ||
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| A Model for Exploring Anyville: Using Dialogical Collaboration to Create Art about Place | ||
| Jennifer Eiserman, Gerald Hushlak, Mary Ann Hushlak | ||
| Vol 4, No 4 (2009), Pagination: 211-227 | ||
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| Between Classicism and Surrealism: The Peggy Guggenheim Museum in Venice and the Canonization of the Avant-Garde | ||
| Barbara Lekatsas | ||
| Vol 4, No 4 (2009), Pagination: 229-242 | ||
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| Plural Expressions of the Local Realities in an Interdinal City: Art Contemporary of Maracaibo | ||
| Elsy Zavarce, Jose Hernandez | ||
| Vol 4, No 4 (2009), Pagination: 243-254 | ||
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| Challenging Hegemony, Zineb Sedira’s Mother Tongue | ||
| Michele Waugh | ||
| Vol 4, No 4 (2009), Pagination: 255-263 | ||
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| Travels and Borders in the Representation of the U.S.-Mexico Border: Cartographies in Alejandro Gonzalez Inarritu's Film Babel | ||
| Victor Carreno | ||
| Vol 4, No 4 (2009), Pagination: 265-274 | ||
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| ‘T’ Turning Diverse Memories into Public Art: Community Consultation in the Public Art Process | ||
| Salvatore M. Di Mauro | ||
| Vol 4, No 4 (2009), Pagination: 275-281 | ||
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| Bar Candela: Contemporary Art on the Move, in Place and Discourse | ||
| Venke Aure, Kristin Bergaust, Oddrun Saeter | ||
| Vol 4, No 4 (2009), Pagination: 283-296 | ||
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| From Memories to Monuments: The Artist as Translator | ||
| Inga Burrows, Katja Krebs | ||
| Vol 4, No 4 (2009), Pagination: 297-305 | ||
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| The Rise of Chinese Contemporary Art: Deciphering the Connection between Art, Value and the Market | ||
| Jasmin Tanja Carolin Kossenjans | ||
| Vol 4, No 4 (2009), Pagination: 307-316 | ||
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| Literature Festivals and the Sociology of Literature | ||
| Liana Giorgi | ||
| Vol 4, No 4 (2009), Pagination: 317-326 | ||
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| A Showcased City Calls for Transformative Art-Spaces | ||
| Eser Yagci | ||
| Vol 4, No 4 (2009), Pagination: 327-336 | ||
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| The Drama of Criminal Trials: Dramaturgy and the Voices of the Defendants, the Victims and Justice | ||
| Michael W. Smith | ||
| Vol 4, No 4 (2009), Pagination: 337-349 | ||
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| Peter Handke’s Controversial One-man Crusade for the Serbian Cause | ||
| Schneider Handschin Esther | ||
| Vol 4, No 4 (2009), Pagination: 351-356 | ||
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| Transnationalist Reading of Visual and Verbal Representations of Immigrant Identities | ||
| Anniina Suominen Guyas, Paula Toiviainen | ||
| Vol 4, No 4 (2009), Pagination: 357-367 | ||
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| ‘Nothing But Sunshine’: Writing Across Monsoonal Lines, Inflecting Electronic Arts | ||
| Lisa McDonald | ||
| Vol 4, No 4 (2009), Pagination: 369-379 | ||
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