Open Access Open Access  Restricted Access Subscription Access
Open Access Open Access Open Access  Restricted Access Restricted Access Subscription Access

The Subversion of Master's Defining Power in Toni Morrison's Beloved


Affiliations
1 Islamic Azad University, Karaj Branch, Iran, Islamic Republic of
     

   Subscribe/Renew Journal


Incorporated in Toni Morrison's creative enterprise to portray the unendurable life of slaves and to articulate their age-stifled voice in "Beloved" (1987) is the picture she draws of the ruthless slave-holder named Schoolteacher. This callous concurrent holder of power and subject of knowledge, who considers Sweet Home slaves subhuman creatures, tries to scrutinize their characteristics to know and define them, and thereby sustain his power over them. By her disdainful depiction of Schoolteacher's petrifying rationality via which he attempts to classify and define slaves, Morrison sharply criticizes his inhuman conduct, and furthermore reveals how the mortifying discourse of white racists sustained their power. On the other hand, she dramatizes how Schoolteacher's vicious exertion of power results in the ensuing resistance of the slaves who resist and subvert his defining power by such shocking acts as murdering their beloved child or laughing while getting burned which altogether reveal the spuriousness of his scientific classifications.

Keywords

Slavery, Racist Discourse, Power and Knowledge, Resistance, Subversion.
Subscription Login to verify subscription
User
Notifications
Font Size


  • Andrews, William L., and Nellie Y. McKay, eds. 1999. Toni Morrison's Beloved: A Casebook. New York: Oxford UP.
  • DeKoven, Marrianne. 1993. "Postmodernism and Post-Utopian Desire in Toni Morrison and E. L. Doctorow." Toni Morrison. Ed. Peterson. 111- 130.
  • Foucault, Michel. 1975. Discipline and Punish: The Birth of Prison. Trans. Alan Sheridan. New York: Vintage, 1995.
  • Foucault, Michel. 1976. The History of Sexuality, Vol. I: An Introduction Trans. Robert Hurley. New York: Vintage, 1990.
  • Gates, Henry Louis Jr. 1984. "Criticism in the Jungle." Black Literature and Literary Theory.1- 24.
  • Harris, Trudier. 1999. "Beloved: Woman, Thy Name Is Demon". Toni Morrison's Beloved. Eds. Andrews and McKay. 127- 157.
  • Henderson, Mae G. 1999. "Toni Morrison's Beloved: Re-Membering the Body as Historical Text." Toni Morrison's Beloved. Eds. Andrews and McKay. 79- 106.
  • Holloway, Karla F. C. 1999. "Beloved: A Spiritual." Toni Morrison's Beloved. Eds. Andrews and McKay. 67- 78.
  • Krumholz, Linda J. 1999. "The Ghosts of Slavery: Historical Recovery in Toni Morrison's Beloved." Toni Morrison's Beloved. Eds. Andrews and McKay. 107- 126.
  • Lawrence, David. 2000. "Fleshly Ghosts and Ghostly Flesh: The Word and the Body in Beloved". Toni Morrison's Fiction. Ed. Middleton. 231- 246.
  • Middleton, David L., ed. 2000. Toni Morrison's Fiction: Contemporary Criticism. New York: Garland.
  • Morey, Ann-Janine. 2000. "Margaret Atwood and Toni Morrison: Reflections on Postmodernism and the Study of Religion and Literature." Toni Morrison's Fiction. Ed. Middleton. 247- 268.
  • Morrison, Toni. 1987. Beloved. New York: Vintage, rpt. 1997.
  • Peach, Linden. 2000. Toni Morrison. New York: St. Martin's Press.
  • Perez-Torres, Rafael. 1999. "Between Presence and Absence: Beloved, Postmodernism, and Blackness". Toni Morrison's Beloved. Eds. Andrews and McKay. 179- 201.
  • Peterson, Nancy J., ed. 1993. Toni Morrison: Critical and Theoretical Approaches. Baltimore: The Johns Hopkins UP, rpt. 1997.
  • Rushdy, Ashraf H. A. 1999. "Daughters Signifyin(g) History: The Example of Toni Morrison's Beloved." Toni Morrison's Beloved. Eds. Andrews and McKay. 37- 66.
  • Woidat, Caroline M. 1993. "Talking Back to Schoolteacher: Morrison's Confrontation with Hawthorne in Beloved." Toni Morrison. Ed. Peterson. 181- 200.

Abstract Views: 211

PDF Views: 0




  • The Subversion of Master's Defining Power in Toni Morrison's Beloved

Abstract Views: 211  |  PDF Views: 0

Authors

Sima Farshid
Islamic Azad University, Karaj Branch, Iran, Islamic Republic of

Abstract


Incorporated in Toni Morrison's creative enterprise to portray the unendurable life of slaves and to articulate their age-stifled voice in "Beloved" (1987) is the picture she draws of the ruthless slave-holder named Schoolteacher. This callous concurrent holder of power and subject of knowledge, who considers Sweet Home slaves subhuman creatures, tries to scrutinize their characteristics to know and define them, and thereby sustain his power over them. By her disdainful depiction of Schoolteacher's petrifying rationality via which he attempts to classify and define slaves, Morrison sharply criticizes his inhuman conduct, and furthermore reveals how the mortifying discourse of white racists sustained their power. On the other hand, she dramatizes how Schoolteacher's vicious exertion of power results in the ensuing resistance of the slaves who resist and subvert his defining power by such shocking acts as murdering their beloved child or laughing while getting burned which altogether reveal the spuriousness of his scientific classifications.

Keywords


Slavery, Racist Discourse, Power and Knowledge, Resistance, Subversion.

References