Table of Contents
Vol 4, No 1 (2009)
Open Access
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Articles
Making Sense of Art: The Relationship between Art Criticism and Theories of Visual Hermeneutics | ||
Howard Riley | ||
Vol 4, No 1 (2009), Pagination: 1-6 | ||
ABSTRACT | PDF | Abstract Views: 110 | PDF Views: 0 |
The Phenomenological Study of an Art Process | ||
Duygu Beykal | ||
Vol 4, No 1 (2009), Pagination: 7-15 | ||
ABSTRACT | PDF | Abstract Views: 101 | PDF Views: 0 |
Nationality in Art and the Case of Contemporary Turkish Painting | ||
Birsen Limon, Neslihan Kiyar, Huseyin Elmas | ||
Vol 4, No 1 (2009), Pagination: 17-32 | ||
ABSTRACT | PDF | Abstract Views: 105 | PDF Views: 0 |
An Intercultural Aesthetic Dialogue: Creativity and Innovation Across Cultures | ||
Donna Wright | ||
Vol 4, No 1 (2009), Pagination: 33-45 | ||
ABSTRACT | PDF | Abstract Views: 161 | PDF Views: 0 |
Italian Cultural Patrimony and Memories of Revolution: Louise Stolberg’s Anti-Napoleonic Florentine Salon and Neoclassicism in the Work of Francois Xavier Fabre, Vittorio Alfieri and Germaine de Staël’s Corinne | ||
Sharon Worley | ||
Vol 4, No 1 (2009), Pagination: 47-58 | ||
ABSTRACT | PDF | Abstract Views: 118 | PDF Views: 0 |
En Pointe: The Politics of Imperial Russia and its Ballet | ||
Krista Sigler | ||
Vol 4, No 1 (2009), Pagination: 59-70 | ||
ABSTRACT | PDF | Abstract Views: 161 | PDF Views: 0 |
Aesthetic Identity, Well-Being, and the Right to Beauty | ||
Per Bauhn | ||
Vol 4, No 1 (2009), Pagination: 71-80 | ||
ABSTRACT | PDF | Abstract Views: 145 | PDF Views: 0 |
Theatre as a Platform for Consciousness Raising in Sarah Daniels’s Play The Devil’s Gateway | ||
Wan Roselezam Wan Yahya, Arbaayah Ali Termizi, Emily Abd Rahman | ||
Vol 4, No 1 (2009), Pagination: 81-93 | ||
ABSTRACT | PDF | Abstract Views: 104 | PDF Views: 0 |
Authenticating the Reel: Simulation and Trauma in United 93 | ||
Fran Pheasant-Kelly | ||
Vol 4, No 1 (2009), Pagination: 95-105 | ||
ABSTRACT | PDF | Abstract Views: 118 | PDF Views: 0 |
Moralizing Mixed Messages: Musical Imagery and the Vanitas Tradition | ||
Edward Hafer | ||
Vol 4, No 1 (2009), Pagination: 107-118 | ||
ABSTRACT | PDF | Abstract Views: 115 | PDF Views: 0 |
Symbolic Boundaries, Identity, and Art Museum Visitation | ||
Theopisti Stylianou-Lambert | ||
Vol 4, No 1 (2009), Pagination: 119-129 | ||
ABSTRACT | PDF | Abstract Views: 103 | PDF Views: 0 |
The Tragic Descent of Serious Reaction to Misplaced Sentiment | ||
Kevin Almond | ||
Vol 4, No 1 (2009), Pagination: 131-142 | ||
ABSTRACT | PDF | Abstract Views: 98 | PDF Views: 0 |
“That is One Big Wiener!”: Accessibility, Irony, and Odd Job Jack | ||
Isabel Pedersen, Kristen Aspevig | ||
Vol 4, No 1 (2009), Pagination: 143-155 | ||
ABSTRACT | PDF | Abstract Views: 94 | PDF Views: 0 |
My Art has a Secret Mission: The Role of the Arts in Australian Rural, Remote and Indigenous Communities | ||
Julia Anwar McHenry | ||
Vol 4, No 1 (2009), Pagination: 157-169 | ||
ABSTRACT | PDF | Abstract Views: 93 | PDF Views: 0 |
Realism in Nineteenth Century Iranian Figure Painting | ||
Mahshid Modares | ||
Vol 4, No 1 (2009), Pagination: 171-181 | ||
ABSTRACT | PDF | Abstract Views: 97 | PDF Views: 0 |
Theatre in Pedagogy: Theatrical Devices as Classroom Resource | ||
Asha Singh | ||
Vol 4, No 1 (2009), Pagination: 251-266 | ||
ABSTRACT | PDF | Abstract Views: 95 | PDF Views: 0 |
The Effect of Geography on Art and Culture | ||
Gholam Reza Hassani | ||
Vol 4, No 1 (2009), Pagination: 267-271 | ||
ABSTRACT | PDF | Abstract Views: 92 | PDF Views: 0 |
Renaissance Fashioning for Body and Spirit: Clothing as Vice and Virtue in the Face of Death | ||
Elizabeth Reid | ||
Vol 4, No 1 (2009), Pagination: 183-202 | ||
ABSTRACT | PDF | Abstract Views: 97 | PDF Views: 0 |
The Use of CGI to Capture the Visual Styles of Wayang Kulit Kelantan | ||
Khengkia Khor | ||
Vol 4, No 1 (2009), Pagination: 203-213 | ||
ABSTRACT | PDF | Abstract Views: 92 | PDF Views: 0 |
Transient Identities: Between Stillness and Motion | ||
Marija Krtolica | ||
Vol 4, No 1 (2009), Pagination: 215-220 | ||
ABSTRACT | PDF | Abstract Views: 86 | PDF Views: 0 |
Creating Visual Narratives: Visual Representations of Preservice Teacher Learning Journeys | ||
Coral Cara | ||
Vol 4, No 1 (2009), Pagination: 221-232 | ||
ABSTRACT | PDF | Abstract Views: 95 | PDF Views: 0 |
Transnational Transformations: The Nature and Nurture of International Collaboration | ||
Arantxa Echarte | ||
Vol 4, No 1 (2009), Pagination: 233-238 | ||
ABSTRACT | PDF | Abstract Views: 87 | PDF Views: 0 |
Connecting Aesthetic Judgment and Situational Awareness: Multimodal Decision Making on the Fireground | ||
Valerie Ingham | ||
Vol 4, No 1 (2009), Pagination: 239-249 | ||
ABSTRACT | PDF | Abstract Views: 96 | PDF Views: 0 |
Wi-Fi Colour in Real World and Cyberspace: Cyborg Identity in Urban Wi-Fi Networks | ||
Jung-Hua Liu | ||
Vol 4, No 1 (2009), Pagination: 273-290 | ||
ABSTRACT | PDF | Abstract Views: 90 | PDF Views: 0 |
Integration and Resistance in Desert Art | ||
Maria Buchner | ||
Vol 4, No 1 (2009), Pagination: 291-300 | ||
ABSTRACT | PDF | Abstract Views: 129 | PDF Views: 0 |
Twelve Visions of the World: Drawings from Young People in Different Parts of the World | ||
Teresa Torres Eca | ||
Vol 4, No 1 (2009), Pagination: 301-315 | ||
ABSTRACT | PDF | Abstract Views: 100 | PDF Views: 0 |
The Literacy in Visual Arts: A view about Elementary School Curriculum in Portugal | ||
Ricardo Reis | ||
Vol 4, No 1 (2009), Pagination: 317-328 | ||
ABSTRACT | PDF | Abstract Views: 95 | PDF Views: 0 |
The Utilisation of Animation Techniques in Film: An Analysis of ‘Sin City’ as a Form of Visual Art | ||
Muhamad Sham Shahkat Ali | ||
Vol 4, No 1 (2009), Pagination: 329-342 | ||
ABSTRACT | PDF | Abstract Views: 98 | PDF Views: 0 |
New Education Model: Multimedia Art | ||
Vesna Srnic | ||
Vol 4, No 1 (2009), Pagination: 343-353 | ||
ABSTRACT | PDF | Abstract Views: 96 | PDF Views: 0 |
Eighteenth-Century Pictorial Editions of Shakespeare’s Antony and Cleopatra | ||
Arbaayah Ali Termizi | ||
Vol 4, No 1 (2009), Pagination: 355-363 | ||
ABSTRACT | PDF | Abstract Views: 104 | PDF Views: 0 |