A B C D E F G H I J K L M N O P Q R S T U V W X Y Z All
Laskar, Kaifia Ancer
- Recognizing the Politics of Visual Imagery through Transplanted Traditions in Indian Television Soap Operas
Abstract Views :622 |
PDF Views:2
Authors
Affiliations
1 Tripura University, IN
1 Tripura University, IN
Source
Media Watch, Vol 6, No 2 (2015), Pagination: 193-199Abstract
Television is known to be a powerful provoker and circulator of meanings. The attempt in this article is to read the discursive elements of female soap opera protagonists and find out if they are idealised partly as religious devotees in their whole existence. Wars of production and re-enforcement of meanings are often waged in media space. Therefore an analysis of 'character reading' of the soap operas broadcast in the Hindi networks will help focus analytical attention on different forms of hegemonic power that constitute the text. The objective of this article is to delve into the textual and semiotic codifications used in the characterisation of the protagonists of the select soap operas under study. These codes will help in describing the phenomenon of creating religious devotees in soap operas.Keywords
Soap Opera Devotees, Discursive Practices, Dominant Discourse, Mediated Devotion.
References
- Arthur, C., & Arthur, C. J. (1993). Religion and the media: An introductory reader. University of Wales Press.
- Bartky, S.L. (1997). Foucault, Femininity, and the Modernisation of Patriarchal Power. In R. Weitz (Ed) (1998) The Politics of Women's Bodies Sexual Appearance and Behavior. 25-45.New York: Oxford University Press.
- Brosius, C. (1999). Is This The Real Thing? Packaging Cultural Nationalism. In M. Butcher & C. Brosius (Eds.) Image Journeys: Audio-Visual Media and Cultural Change in India. (1999). New Delhi, London, Thousand Oaks: Sage.
- Fiske, J. (1995). Media Discourse. London: Sage.
- Fiske, J. (1990). Television Culture. London: Routledge.
- Fiske, J. (1987). British Cultural Studies. In R. Allen (Ed) Channels of Discourse: Television and Contemporary Criticism, Chapel Hill: University of North Carolina Press.
- Fiske, J. & Hartley, J. (1978). Bardic television. London: Metheun.
- Gitlin, T. (1979). Prime Time Ideology: The Hegemonic Process in Television Entertainment. In H. Newcomb (Ed) (1982). Television: the Critical View, New York: Oxford University Press.
- Gramsci, A. (1971). Selections from the Prison Notebooks. New York: International Publishers.
- Jakubowicz, A. (1995). Media in Multicultural Nations. Questioning the Media: A Critical Introduction, Thousand Oaks: Sage Publications.
- Kellner, D. (2006). Cultural Studies, Multiculturalism, and Media Culture (http://www.gseis.ucla.edu/faculty/kellner/essays/culturalstudiesmulticulturalism.pdf. July 12, 2011, 2:15:40 P.M. IST.)
- Kellner, D. (2003). Media culture: Cultural Studies, Identity and Politics Between the Modern and the Postmodern. London: Routledge.
- Kellner, D. (1979). TV, Ideology and Emancipatory Popular Culture. Socialist Review, (45), 13-53.
- Laskar, K. A. (2014) Tracking Partition Discourses in the Films of Ritwik Ghatak. IOSR Journal of Humanities and Social Science, 19(9), 42-45. doi:10.9790/0837-19984245
- Laskar, K. A. (2012) Folk Media in the Development of Rural Health in Assam. In Folk Media and Sustainable Development in the North East. 1(1), 91-107.
- Laskar, K. A. & Guha, S. (2012). Reading the Mediated Ethnicity: Religious Discourses in Indian Television Soap Operas. Assam University Journal. 7(1), 49-58.
- Lazarsfield, P & R. Merton. (1977). Mass Communication, Popular Taste, and Organised Social Action. In W. Schramm & D. Roberts (Eds). The Process and Effects of Mass Communication. Chicago: University of Illionois Press.
- Lembo, R. (2000). Thinking Through Television. UK: Cambridge University Press.
- McQuail, D. (1994). Mass Communication Theory-An Introduction. London: Sage.
- Merton, R. (1968). Social Theory and Social Structure. New York: The Free Press.
- Modelsky, T.(1996). The Search for Tomorrow in Today's Soap Opera. In P. Morris & S. Thornham (Eds.) Media Studies: A Reader. Edinburgh: Edinburgh University Press.
- Thompson, J. (1990). Ideology and Modern Culture. Cambridge and Stanford, Cal.: Polity Press and Stanford University Press.
- Nandkumar, S. (2011). The Stereotypical Portrayal of Women In Commercial Indian Cinema. Houston: University of Houston.
- Postman,N.(1985). Amusing Ourselves to Death http://s3.amazonaws.com/files.posterous.com/heyits/(accessed on 20-2-12 at 2:25 P.M IST).
- Taylor, C. (1992). Multiculturalism and The Politics of Recognition. Princeton NJ: Princeton University.
- Uberoi, P. (2008). Freedom and Destiny: Gender, Family and Popular Culture in India. New Delhi: Oxford University Press.