Journal of Literature, Culture and Media Studies

Kristine Hart ¹, John Paul ²

Affiliations
1 Center for Community and Civic Engagement, Washburn University, Topeka, Kansas, US
2 Department of Sociology, Washburn University, Topeka, Kansas, US

Abstract

This paper explores an under-examined subgenre of the scholarly zombie canon:soldiers who have returned as the undead. The primary theme of this paper is that zombies are an apt metaphor for military soldiers. Indeed, throughout the history of U.S. warring actions, soldiers often seem to be treated like faceless, disposable units sent to enforce the will of the country. So stated, our work explores the warrior zombie in literature and film, from three distinct time periods:the US Indian Wars, World War I, and the Afghan and Iraqi conflicts. The specific works examined include two short literary works, “Ghost Dance” by Sherman Alexie and “Herbert West: Reanimator” by H.P. Lovecraft, and one film, “Homecoming” written by Sam Hamm and directed by Joe Dante. In the end, we contend that the military zombie is a metaphor for persons conscripted into combat against their own social, political, and economic wills.

Keywords

Zombies, Military, Marxist Analysis, Literary and Movie Analysis.

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