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Assif, Maria
- V.V. Ganeshananthan's Love Marriage and Monica Ali's Dinner with Dr.Azhad: Storying Memory, Trauma and Identity
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Authors
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1 English Department, University of Toronto Scarborough, CA
1 English Department, University of Toronto Scarborough, CA
Source
International Journal of Comparative Literature and Translation Studies, Vol 2, No 1 (2014), Pagination: 1-9Abstract
At the intersection of trauma, identity, memory, and narrative theories, this article examines the main female narrators of V.V. Ganeshananthan's Love Marriage and Monica Ali's "Dinner with Dr.Azhad," as they encounter varying forms of traumas that distort their perceptions of the world and lead them to question their own identities. This distortion changes the personal narratives they have created about the world, requiring them to reconstruct it in order to incorporate these traumatic experiences and form a coherent narrative on which they will be able to identify themselves and ultimately construct their own selves.Keywords
South Asian Literature, Mona Ali, V.V. Ganeshananthan, Trauma, Memory, Storytelling.References
- Ali, M. (2005). "Dinner With Dr.Azhad." Story-Wallah Short Fiction From South Asian Writers. Ed. Shyam
- Selvadurai. New York: Houghton Print.
- Caruth, C. (1995). Trauma: Explorations in Memory. London: John Hopkins
- Connerton, P. (1989). How Societies Remember. New York: Cambridge.
- Ganeshananthan, V. V. (2008). Love Marriage. New York: Random House
- Hunt, N. C. (2010). Memory, War and Trauma. New York: Cambridge
- Singh, A., Joseph T. Skerrett Jr., and Robert E. Hogan, ed. (1994). Memory, Narrative and Identity. Boston: Northeastern
- Xu, B. (1994). "Memory and the Ethnic Self: Reading Amy Tan's The Joy Luck Club. Melus. 19-1: 3-18.