Table of Contents
Vol 1, No 5 (2007)
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Articles
| Transforming Samoan Space into Place: Dance and the Construction of Community | ||
| Anne E. Guernsey Allen | ||
| Vol 1, No 5 (2007), Pagination: 1-10 | ||
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| Art Criticism by Media Proxy: Reporting Deviance as Art News | ||
| Judith Bernanke | ||
| Vol 1, No 5 (2007), Pagination: 11-19 | ||
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| Three Poets of Color Send a 'Shout-Out' to Gauguin | ||
| Vanessa D. Dickerson | ||
| Vol 1, No 5 (2007), Pagination: 21-24 | ||
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| Directing: A Collaborative Artistic Task-Oriented Spoken Communication Process | ||
| Andrea Milde | ||
| Vol 1, No 5 (2007), Pagination: 25-30 | ||
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| Are Corporate Art Collections an American Innovation? | ||
| Michael Bzdak | ||
| Vol 1, No 5 (2007), Pagination: 31-36 | ||
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| The Fashioning of the Land | ||
| Dana Hargrove | ||
| Vol 1, No 5 (2007), Pagination: 37-41 | ||
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| Culture/War: The Visual Politics of Representation in the Abu Ghraib Photographs | ||
| Susan Libby | ||
| Vol 1, No 5 (2007), Pagination: 43-49 | ||
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| Cultural Workers in 'Late Socialism': The Case of Visual Artists in Contemporary Cuba | ||
| Marina A. Adler | ||
| Vol 1, No 5 (2007), Pagination: 51-57 | ||
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| Madonnas in Need: The Art of Representing Social Issues | ||
| Karen Maree Crinall | ||
| Vol 1, No 5 (2007), Pagination: 59-70 | ||
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| Forget your Botany: Developing Children’s Sensibility to Nature through Arts-Based Environmental Education | ||
| Jan van Boeckel | ||
| Vol 1, No 5 (2007), Pagination: 71-82 | ||
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| Passionate Listening: Teacher as Role Model in Cultivating an Appreciation of Classical Music | ||
| Robert Barefield | ||
| Vol 1, No 5 (2007), Pagination: 83-86 | ||
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| Movement Art: Engaging Children in the Artist’s Visual Chronicle of Sport to Enhance Historical Thinking | ||
| Eleanor B. English, Nancy A. Chicola | ||
| Vol 1, No 5 (2007), Pagination: 87-99 | ||
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| Taoist Void and Buddhist Smile | ||
| Kong Ho | ||
| Vol 1, No 5 (2007), Pagination: 101-104 | ||
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| Intimate Engagements: Art, Heritage and Experience at the 'Place-Ballet' | ||
| John Schofield | ||
| Vol 1, No 5 (2007), Pagination: 105-114 | ||
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| The Shadow of the Photographer: Visual Symbols and Photographic Snapshots in the Search for Self-knowledge and Fulfilment | ||
| Rutherford | ||
| Vol 1, No 5 (2007), Pagination: 115-122 | ||
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| The Role of the Visual Arts in Social Change in South Africa: A Pilot Project | ||
| Kim Berman | ||
| Vol 1, No 5 (2007), Pagination: 123-135 | ||
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| The Reflexive Muse: Online Creative Writing Development in Africa and the UK Academy | ||
| Graham Mort | ||
| Vol 1, No 5 (2007), Pagination: 137-144 | ||
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| Beyond Collaboration and Resistance: The Cinema of Occupied France, 1940-44 | ||
| Judith Holland Sarnecki | ||
| Vol 1, No 5 (2007), Pagination: 145-151 | ||
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| Art and Public Liaison: Salford Reds | ||
| Paul Haywood, Jo Heeley, Maxine Kennedy | ||
| Vol 1, No 5 (2007), Pagination: 153-160 | ||
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| Questions of Conjure: An Examination of Feminist, Philosophical, and Sociological Implications of the Use of Rootwork in SULA | ||
| Christy Baker | ||
| Vol 1, No 5 (2007), Pagination: 161-168 | ||
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