Table of Contents
Vol 1, No 7 (2007)
Open Access
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Articles
| The Return of the Author: Developing Effective Modes of Collaboration between Writing Practitioners and Analytical Theorists | ||
| Corinne Fowler, Graham Mort | ||
| Vol 1, No 7 (2007), Pagination: 1-7 | ||
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| The Poetic Dialogue Project 2006 Poetry: Women: Art | ||
| Beth Shadur, Lois Roma-Deeley, Robin Behn, Mirjana Ugrinov, Laura Cloud | ||
| Vol 1, No 7 (2007), Pagination: 9-29 | ||
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| “The Difference between Poetry and Rhetoric.” and Between Art and Advertising, Performance and Performative, the Real and the Role | ||
| Eleanor M. Godway | ||
| Vol 1, No 7 (2007), Pagination: 31-35 | ||
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| Cities Learn through Arts Discourse: Portland, Oregon as Case Study | ||
| Brooke Jacobson | ||
| Vol 1, No 7 (2007), Pagination: 37-44 | ||
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| Plays for Felons: Theatre in a Penal Colony 1796-1833 | ||
| Margaret Lindley | ||
| Vol 1, No 7 (2007), Pagination: 45-51 | ||
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| Bilateral Blogging | ||
| Lucas Ihlein | ||
| Vol 1, No 7 (2007), Pagination: 53-62 | ||
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| Ned Kelly! The Story from the Distaff Side | ||
| Brenda Joy Addie | ||
| Vol 1, No 7 (2007), Pagination: 63-70 | ||
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| Non Verbal Communication in Commissioned Portraiture | ||
| Alastair C. Adams | ||
| Vol 1, No 7 (2007), Pagination: 71-76 | ||
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| Against All Odds: The Emergence of Arts Patronage in Britain and the United States | ||
| Alan Lawson | ||
| Vol 1, No 7 (2007), Pagination: 77-86 | ||
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| Invoking the Microcosm | ||
| Charlotte Collins, Sandra Bird, Linda Hightower | ||
| Vol 1, No 7 (2007), Pagination: 87-95 | ||
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| Privatising the ‘Temple of Opera’: The Political Battle over La Scala, Milan, 1990-2005 | ||
| Paola Merli | ||
| Vol 1, No 7 (2007), Pagination: 97-107 | ||
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| Shanghai Street: Arts in and of a City | ||
| Jane Davidson, Victor Lai | ||
| Vol 1, No 7 (2007), Pagination: 109-119 | ||
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| Mormonism and the Modern/Postmodern Continuum: Balancing Public Theory and Private Theology | ||
| David Lindsay | ||
| Vol 1, No 7 (2007), Pagination: 121-127 | ||
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| In Art it’s just that there is no Right or Wrong | ||
| Kirsten Grant Price | ||
| Vol 1, No 7 (2007), Pagination: 129-134 | ||
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| Authentic Performance of Music: From Bach and Handel to Elvis, Ray Charles, and the Blues Brothers | ||
| Mark Perlman | ||
| Vol 1, No 7 (2007), Pagination: 135-146 | ||
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| Paintings as Ethnographic Representations | ||
| Lydia Nakashima Degarrod | ||
| Vol 1, No 7 (2007), Pagination: 147-156 | ||
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| Space, Place and Spirit: Imagining the Everyday | ||
| Mel Gray, Leanne Schubert | ||
| Vol 1, No 7 (2007), Pagination: 157-167 | ||
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| Biennales and Post-Colonialism: Exhibiting Independence | ||
| RenEe DeVoe Mertz | ||
| Vol 1, No 7 (2007), Pagination: 169-182 | ||
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| The Working Lives and Career Paths of Visual Artists with Disabilities: An Exploration of their Experiences in Establishing and Maintaining Professional Practices | ||
| Susan Maley | ||
| Vol 1, No 7 (2007), Pagination: 183-189 | ||
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| Marcel Duchamp, Rrose Selavy, and Gender Performativity | ||
| Deborah J. Johnson | ||
| Vol 1, No 7 (2007), Pagination: 191-200 | ||
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| Double Absence: Chantal Akerman’s "D’est: Bordering on Fiction" and "Alfredo Jaar’s Let there Be Light" | ||
| Stephen Feinstein | ||
| Vol 1, No 7 (2007), Pagination: 201-218 | ||
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| Plus + Connection: Women's Health Through Creativity | ||
| Margaret Edgecombe | ||
| Vol 1, No 7 (2007), Pagination: 219-230 | ||
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| Cultivating Heaven: Shakespeare’s Pastoral Links to Theologies, Ancient and Renaissance | ||
| James J. Yoch | ||
| Vol 1, No 7 (2007), Pagination: 231-234 | ||
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| Utopian Figuration on South African Paper Currency: The Big Five as Signifiers of Identity in a Community Aspiring to Nationhood | ||
| Lize Groenewald | ||
| Vol 1, No 7 (2007), Pagination: 235-242 | ||
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| Engagement at the Grassischolar_mains: The Anvil of Creation | ||
| Robin Simpson, Fiona Campbell | ||
| Vol 1, No 7 (2007), Pagination: 243-253 | ||
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