Table of Contents
Vol 2, No 2 (2007)
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Articles
Critiques of Discourse:Minimalism, Feminism, and the Work of Eva Hesse | ||
Nancy Palm | ||
Vol 2, No 2 (2007), Pagination: 1-9 | ||
ABSTRACT | PDF | Abstract Views: 123 | PDF Views: 0 |
Changing Devils into Daimons: Music and the Arts against Psychiatric Pathologies | ||
Alessandra Padula | ||
Vol 2, No 2 (2007), Pagination: 11-18 | ||
ABSTRACT | PDF | Abstract Views: 99 | PDF Views: 0 |
Desire in Painting:Art and Lacan’s Theory of the Scopic Drive | ||
Jonathan Conley | ||
Vol 2, No 2 (2007), Pagination: 19-25 | ||
ABSTRACT | PDF | Abstract Views: 99 | PDF Views: 0 |
Interdisciplinary and Global Approaches to Arts Appreciation | ||
Charlotte Collins, Edward Eanes, Karen Robinson | ||
Vol 2, No 2 (2007), Pagination: 27-30 | ||
ABSTRACT | PDF | Abstract Views: 115 | PDF Views: 0 |
Approaching a New Biotope | ||
Francisco Gonzalez de Canales | ||
Vol 2, No 2 (2007), Pagination: 31-36 | ||
ABSTRACT | PDF | Abstract Views: 132 | PDF Views: 0 |
How the Arts Have Value:Contra Carey | ||
Daniel Shannon | ||
Vol 2, No 2 (2007), Pagination: 37-45 | ||
ABSTRACT | PDF | Abstract Views: 134 | PDF Views: 0 |
Engaging the Public | ||
Maureen Light, Rubeena Sandhu | ||
Vol 2, No 2 (2007), Pagination: 47-50 | ||
ABSTRACT | PDF | Abstract Views: 105 | PDF Views: 0 |
Setting the Sacred Free:Art and its Public in a Time of Religious Rigidity | ||
Richard Grigg | ||
Vol 2, No 2 (2007), Pagination: 51-54 | ||
ABSTRACT | PDF | Abstract Views: 77 | PDF Views: 0 |
Marginalization as Use:Race & Gender in the Work of Yoko Ono | ||
Erin Devine | ||
Vol 2, No 2 (2007), Pagination: 55-59 | ||
ABSTRACT | PDF | Abstract Views: 80 | PDF Views: 0 |
Painting Conflict:The National Agenda of Mural Painting | ||
Johanna Ruohonen | ||
Vol 2, No 2 (2007), Pagination: 61-68 | ||
ABSTRACT | PDF | Abstract Views: 90 | PDF Views: 0 |
Literary Tears | ||
David Emblidge | ||
Vol 2, No 2 (2007), Pagination: 69-72 | ||
ABSTRACT | PDF | Abstract Views: 78 | PDF Views: 0 |
Mothering in the Freelance Film Industry:Case Studies in the Postproduction Film Industry in Melbourne, Australia | ||
Virginia S. Murray | ||
Vol 2, No 2 (2007), Pagination: 73-79 | ||
ABSTRACT | PDF | Abstract Views: 83 | PDF Views: 0 |
Difference in Feminism:Theresa Hak Kyung Cha and Post-Colonialism | ||
Jeehey Kim | ||
Vol 2, No 2 (2007), Pagination: 81-91 | ||
ABSTRACT | PDF | Abstract Views: 83 | PDF Views: 0 |
Rites of Passage:Gothic Portals as Places of Memory | ||
Nancy Thebaut | ||
Vol 2, No 2 (2007), Pagination: 93-97 | ||
ABSTRACT | PDF | Abstract Views: 83 | PDF Views: 0 |
Audio Description:The Visual Made Verbal | ||
Joel Snyder | ||
Vol 2, No 2 (2007), Pagination: 99-103 | ||
ABSTRACT | PDF | Abstract Views: 125 | PDF Views: 0 |
Acceptable Terrorist Actions:Art, Activism, and ATSA | ||
Susan Jane Douglas | ||
Vol 2, No 2 (2007), Pagination: 105-111 | ||
ABSTRACT | PDF | Abstract Views: 160 | PDF Views: 0 |
The Curator as Artist | ||
Rivett-Carnac Natasha | ||
Vol 2, No 2 (2007), Pagination: 113-118 | ||
ABSTRACT | PDF | Abstract Views: 83 | PDF Views: 0 |
He's a Great Lookin' Dame:A Feminist Account of Gender Performance at the Turn of the Twentieth Century | ||
Sarah Elizabeth Siegrist | ||
Vol 2, No 2 (2007), Pagination: 119-125 | ||
ABSTRACT | PDF | Abstract Views: 101 | PDF Views: 0 |
Strategies of Rebellion in the Heroic Age of the American Comic Book | ||
Paul Lopes | ||
Vol 2, No 2 (2007), Pagination: 127-134 | ||
ABSTRACT | PDF | Abstract Views: 94 | PDF Views: 0 |
Representing the Mythical French Tower of Babel:The Representation of Patois in the French Literary Arts | ||
Sylvie Gagnon | ||
Vol 2, No 2 (2007), Pagination: 135-140 | ||
ABSTRACT | PDF | Abstract Views: 93 | PDF Views: 0 |
The Humanity of Creativity & Aesthetics:A Process to Extend & Develop Visual & Aesthetic Awareness | ||
Sara Warner | ||
Vol 2, No 2 (2007), Pagination: 141-146 | ||
ABSTRACT | PDF | Abstract Views: 79 | PDF Views: 0 |
Being in the World:Milk, Pollen, Rice and Wax:Interacting with the Installation Art of Wolfgang Laib | ||
Susan Scarlata | ||
Vol 2, No 2 (2007), Pagination: 147-150 | ||
ABSTRACT | PDF | Abstract Views: 91 | PDF Views: 0 |
Art as a Process of Revision:The Audience and the End Product | ||
Andrea Milde | ||
Vol 2, No 2 (2007), Pagination: 151-156 | ||
ABSTRACT | PDF | Abstract Views: 98 | PDF Views: 0 |
Why Adapt a Novel for Theatre?:The Reasons Theatre Artists Give for Adapting Literature for Live Performance | ||
Jennifer Munday | ||
Vol 2, No 2 (2007), Pagination: 157-162 | ||
ABSTRACT | PDF | Abstract Views: 81 | PDF Views: 0 |
What We Will Witness (New Forms of Acting) | ||
Paul Bernstein | ||
Vol 2, No 2 (2007), Pagination: 163-167 | ||
ABSTRACT | PDF | Abstract Views: 80 | PDF Views: 0 |
Strategies of Survival:Artistic Responses to Economic Misery in Former Communist Countries of Europe | ||
Susanne Altmann | ||
Vol 2, No 2 (2007), Pagination: 169-176 | ||
ABSTRACT | PDF | Abstract Views: 97 | PDF Views: 1 |