Table of Contents
Vol 5, No 4 (2010)
Open Access
Subscription Access
Articles
Expression of Art and Beauty in Rural Communities | ||
Mansoureh Tahbaz, Salehe Bokharaei | ||
Vol 5, No 4 (2010), Pagination: 1-38 | ||
ABSTRACT | PDF | Abstract Views: 122 | PDF Views: 0 |
Can Public Artwork Assist in Remembering, Memorializing and Honoring Events, Heroes and Icons? | ||
Salvatore M. Di Mauro | ||
Vol 5, No 4 (2010), Pagination: 39-58 | ||
ABSTRACT | PDF | Abstract Views: 115 | PDF Views: 0 |
Addressing Music Intelligence Across the Curriculum | ||
Christina Grant | ||
Vol 5, No 4 (2010), Pagination: 59-70 | ||
ABSTRACT | PDF | Abstract Views: 209 | PDF Views: 0 |
Representing the Mind: The Psyche on Film (Memento and Donnie Darko) | ||
E. Anna Claydon | ||
Vol 5, No 4 (2010), Pagination: 71-79 | ||
ABSTRACT | PDF | Abstract Views: 112 | PDF Views: 0 |
The Impact of Visual Diversity on Critical Visual Literacy | ||
Anahit Falihi, S. E. Stewart | ||
Vol 5, No 4 (2010), Pagination: 81-91 | ||
ABSTRACT | PDF | Abstract Views: 83 | PDF Views: 0 |
Imagining the “Arab Other”: The Role of the Media in Constructing Islamic Identity | ||
Louise Ryan | ||
Vol 5, No 4 (2010), Pagination: 93-104 | ||
ABSTRACT | PDF | Abstract Views: 132 | PDF Views: 0 |
The Discursive Practice of Waiting for Godot Re-Actualized as Beijing Opera on Taiwan Stage | ||
Wah Cheung | ||
Vol 5, No 4 (2010), Pagination: 105-118 | ||
ABSTRACT | PDF | Abstract Views: 85 | PDF Views: 0 |
Drowning Girl: Water and the Feminine Body | ||
Fiona Edmonds-Dobrijevich | ||
Vol 5, No 4 (2010), Pagination: 119-129 | ||
ABSTRACT | PDF | Abstract Views: 103 | PDF Views: 0 |
The SuperCyber | ||
Yueh Hsiu Giffen Cheng | ||
Vol 5, No 4 (2010), Pagination: 131-144 | ||
ABSTRACT | PDF | Abstract Views: 99 | PDF Views: 0 |
Representing Australia: Shaun Gladwell at the 2009 Venice Biennale | ||
Aija Laura Zivitere | ||
Vol 5, No 4 (2010), Pagination: 145-152 | ||
ABSTRACT | PDF | Abstract Views: 117 | PDF Views: 0 |
Contemporary Theatre and the Experiential | ||
Kate Adams | ||
Vol 5, No 4 (2010), Pagination: 153-163 | ||
ABSTRACT | PDF | Abstract Views: 95 | PDF Views: 0 |
Community and Civic Engagement through the Arts | ||
Kevin Marshall | ||
Vol 5, No 4 (2010), Pagination: 165-171 | ||
ABSTRACT | PDF | Abstract Views: 106 | PDF Views: 0 |
Students’ Opinions and Applications Regarding Contemporary Art | ||
A. Dilek Kiratli | ||
Vol 5, No 4 (2010), Pagination: 173-182 | ||
ABSTRACT | PDF | Abstract Views: 91 | PDF Views: 0 |
Parody and Appropriation: European Art Traditions in the Digital Media Art of China | ||
Jean Ippolito | ||
Vol 5, No 4 (2010), Pagination: 183-190 | ||
ABSTRACT | PDF | Abstract Views: 121 | PDF Views: 0 |
One Man’s Taste: Percy Grainger’s ‘Aims of the Museum’ | ||
Monica Syrette | ||
Vol 5, No 4 (2010), Pagination: 191-198 | ||
ABSTRACT | PDF | Abstract Views: 87 | PDF Views: 0 |
Tactical Bodies: Resistance as Agency among Prisoners | ||
Natasha Carrington | ||
Vol 5, No 4 (2010), Pagination: 199-206 | ||
ABSTRACT | PDF | Abstract Views: 115 | PDF Views: 0 |
The Contemporary Sublime: Liminal Oscillations | ||
Robert Hermanson | ||
Vol 5, No 4 (2010), Pagination: 207-224 | ||
ABSTRACT | PDF | Abstract Views: 93 | PDF Views: 0 |
Contextual Learning: Communities of Practice and Situational Experience in Design Studios | ||
Toni Mackinnon | ||
Vol 5, No 4 (2010), Pagination: 225-232 | ||
ABSTRACT | PDF | Abstract Views: 127 | PDF Views: 0 |
Re-Visiting the Virtual in Byzantine Iconography: A Case of Immersion, Embodiment and Power | ||
Elena Stylianou | ||
Vol 5, No 4 (2010), Pagination: 233-242 | ||
ABSTRACT | PDF | Abstract Views: 94 | PDF Views: 0 |
What We Need Now Is A Poet: A Preemptive Argument for Developing Art in Memory of Haiti’s Earthquake Victims | ||
Kette Thomas | ||
Vol 5, No 4 (2010), Pagination: 243-251 | ||
ABSTRACT | PDF | Abstract Views: 106 | PDF Views: 0 |
Declaring Independence: The Enduring Impact of Judy Chicago’s Installation Artwork “The Dinner Party” and Kay Lawrence’s “Parliament House Embroidery” | ||
Margaret Mary Baguley, Martin Charles Kerby | ||
Vol 5, No 4 (2010), Pagination: 253-263 | ||
ABSTRACT | PDF | Abstract Views: 117 | PDF Views: 0 |
Valerie Gillies’s The Spring Teller (2008) and Questions of Poetic Value | ||
Laura Severin | ||
Vol 5, No 4 (2010), Pagination: 265-273 | ||
ABSTRACT | PDF | Abstract Views: 96 | PDF Views: 0 |
Empowerment for the Future: An Examination of Creative Identity of Young Indigenous Australians | ||
Luciana Vasques Barbosa | ||
Vol 5, No 4 (2010), Pagination: 275-281 | ||
ABSTRACT | PDF | Abstract Views: 108 | PDF Views: 0 |
The Pictorial Syntax in the Background of the Painting ‘ready made de l’histoire dans café flor’ (1987/88) by Jörg Immendorff | ||
Harry Roedel | ||
Vol 5, No 4 (2010), Pagination: 283-291 | ||
ABSTRACT | PDF | Abstract Views: 93 | PDF Views: 0 |
The Arts and Cultural Identity among the Chakma: Indigenous People in Bangladesh | ||
Arshi Dewan Roy, Aditya Kumar Dewan | ||
Vol 5, No 4 (2010), Pagination: 293-301 | ||
ABSTRACT | PDF | Abstract Views: 90 | PDF Views: 0 |