Vol 5, No 5 (2011)

Table of Contents

Vol 5, No 5 (2011)

Open Access Open Access  Restricted Access Subscription Access

Articles

Digital Shift or Explosion: Is Technology a Substitute for Content in Independent Animation?
Andrew Selby
 Vol 5, No 5 (2011), Pagination: 1-8
ABSTRACT |  PDF     Abstract Views: 46  |  PDF Views: 0
Project Slam: Rehabilitation through Theatre at Sing Sing Correctional Facility
Lorraine Moller
 Vol 5, No 5 (2011), Pagination: 9-29
ABSTRACT |  PDF     Abstract Views: 65  |  PDF Views: 0
Role Playing the Cincinnati-Mapplethorpe Case in an Art Appreciation Course
Kathryn Hagy
 Vol 5, No 5 (2011), Pagination: 31-39
ABSTRACT |  PDF     Abstract Views: 66  |  PDF Views: 0
The Classical Sonata Form: Archetypes and Political Constants
Rossella Marisi
 Vol 5, No 5 (2011), Pagination: 41-49
ABSTRACT |  PDF     Abstract Views: 57  |  PDF Views: 0
Great Performances Using Quranic Verses in English
Nevine Kamal, Lubna Almenoar
 Vol 5, No 5 (2011), Pagination: 51-82
ABSTRACT |  PDF     Abstract Views: 83  |  PDF Views: 0
Embedding Drawing, Art History & Theory in an Art School Curriculum
Leoni Schmidt
 Vol 5, No 5 (2011), Pagination: 95-104
ABSTRACT |  PDF     Abstract Views: 70  |  PDF Views: 0
Queer Identity and Blind Cat Principle: Identity (Im)Possibilities of Performance Art in Turkey
Sakir Ozudogru
 Vol 5, No 5 (2011), Pagination: 105-115
ABSTRACT |  PDF     Abstract Views: 62  |  PDF Views: 0
Changing Images of Young Women in 19th-Century German Lieder, Literature, and Art
Heather Platt
 Vol 5, No 5 (2011), Pagination: 117-128
ABSTRACT |  PDF     Abstract Views: 59  |  PDF Views: 0
Learning the History of Computers: Engaging Students through 3D-animated Exhibition Design
Susanna Mann
 Vol 5, No 5 (2011), Pagination: 129-138
ABSTRACT |  PDF     Abstract Views: 59  |  PDF Views: 0
Prophecy and Memory: Wavelength as Architectural Drawing
Eleanor Suess
 Vol 5, No 5 (2011), Pagination: 139-149
ABSTRACT |  PDF     Abstract Views: 142  |  PDF Views: 0
Toward a Collaborative Pedagogy: Integrating Movement into the College Creative Writing Workshop
Andra Yount
 Vol 5, No 5 (2011), Pagination: 151-167
ABSTRACT |  PDF     Abstract Views: 57  |  PDF Views: 0
Personal Meaning and Survival through Artistic Expression; Country Women in Regional Victoria
Julie M. Bennett
 Vol 5, No 5 (2011), Pagination: 169-179
ABSTRACT |  PDF     Abstract Views: 53  |  PDF Views: 0
From Male Pathological to Male Positive: The Engendering of a Post-Heteronormative Gaze in Francis Bacon’s and David Hockney’s Depictions of Men in the 1960s
Dennis S. Gouws
 Vol 5, No 5 (2011), Pagination: 181-188
ABSTRACT |  PDF     Abstract Views: 89  |  PDF Views: 0
Chindogu: Not So Useless After All
Jane Venis
 Vol 5, No 5 (2011), Pagination: 189-202
ABSTRACT |  PDF     Abstract Views: 114  |  PDF Views: 0
Fire, Ink and Play: Developing ‘Creativity’ for Lifelong Learning
Bronwen Wade Leeuwen
 Vol 5, No 5 (2011), Pagination: 203-215
ABSTRACT |  PDF     Abstract Views: 55  |  PDF Views: 0
The Associated Milieu: A Machinic Assemblage between Artwork and Viewer
Andreia Oliveira, Felix Rebolledo
 Vol 5, No 5 (2011), Pagination: 217-223
ABSTRACT |  PDF     Abstract Views: 56  |  PDF Views: 0
Scripting Humour in Conversational Agents: Improvisation and Emergence of Humorous Interchanges
Michael M. Meany, Tom Clark
 Vol 5, No 5 (2011), Pagination: 225-235
ABSTRACT |  PDF     Abstract Views: 50  |  PDF Views: 0
The Voice in Which it is Told: The Importance of the Human Voice in Life Stories and Folktales
Iris Curteis
 Vol 5, No 5 (2011), Pagination: 237-252
ABSTRACT |  PDF     Abstract Views: 53  |  PDF Views: 0
Children’s Artworks after the Orange Revolution: Self Expressions of Political Instability
Orest Cap, Joanna Black
 Vol 5, No 5 (2011), Pagination: 253-265
ABSTRACT |  PDF     Abstract Views: 55  |  PDF Views: 0
Illustrations in Children’s Literature: Commonplaces of Culture and Identity
Linda Wason-Ellam, Peter Purdue
 Vol 5, No 5 (2011), Pagination: 267-275
ABSTRACT |  PDF     Abstract Views: 71  |  PDF Views: 0
Teaching Culture: An Autoethnographic Blog
Angela Brayham
 Vol 5, No 5 (2011), Pagination: 277-288
ABSTRACT |  PDF     Abstract Views: 58  |  PDF Views: 0
Judicial Interpretation and Musical Performing Practice: A Comparison
Flavia Marisi
 Vol 5, No 5 (2011), Pagination: 289-301
ABSTRACT |  PDF     Abstract Views: 107  |  PDF Views: 0
Yoko Ono’s "Cut Piece" as a Participation Work
Youjin Chung
 Vol 5, No 5 (2011), Pagination: 303-313
ABSTRACT |  PDF     Abstract Views: 63  |  PDF Views: 0
City as Message: A Case Study of Visual Persuasion in Washington, D.C.
Richard Bello, Frances Brandau-Brown
 Vol 5, No 5 (2011), Pagination: 315-322
ABSTRACT |  PDF     Abstract Views: 54  |  PDF Views: 0