Table of Contents
Vol 5, No 6 (2011)
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Articles
| Walking in the World of Ruins: Explorations in the Products and Processes of Autobiographical Fiction | ||
| Ursula Hurley | ||
| Vol 5, No 6 (2011), Pagination: 1-12 | ||
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| Public Memory, Private Truths: Voices of Women and Visual Narrative in Post-Apartheid South Africa | ||
| Annette Blum | ||
| Vol 5, No 6 (2011), Pagination: 13-31 | ||
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| Art as the Truth of Tomorrow: Expression and the Healing of the World | ||
| Eleanor M. Godway | ||
| Vol 5, No 6 (2011), Pagination: 33-40 | ||
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| A Practice of Difference: Uncovering Women’s Space with Nüshu, Women’s Script | ||
| Lo Yuen-Yi | ||
| Vol 5, No 6 (2011), Pagination: 41-55 | ||
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| Midnight at the Museum: Museums and Authentic Arts Learning Experiences | ||
| David Bell | ||
| Vol 5, No 6 (2011), Pagination: 57-70 | ||
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| Enabling Relevance and Criticality in Trans-Disciplinary Practices | ||
| Bridie Lonie | ||
| Vol 5, No 6 (2011), Pagination: 71-78 | ||
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| Adjusting the Lens: Creating an Aesthetic Awareness of Local Environment | ||
| Lynn Sondag | ||
| Vol 5, No 6 (2011), Pagination: 79-88 | ||
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| Conceptual Identification of the Relation between Form, Shape, and Figure: Ceramic Art Education | ||
| Ayse Guler, Yucel Basegit | ||
| Vol 5, No 6 (2011), Pagination: 89-103 | ||
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| The Diversity Mural Project: A Partnership between the University and the Community | ||
| Christina Chin-Newman, Sylvia Min, Karon Fleming | ||
| Vol 5, No 6 (2011), Pagination: 105-116 | ||
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| Do-it-Yourself-Whiteboards as a Creative Approach to Innovative Media Education: Exploring Wiimote Hacks as a Didactic Tool | ||
| Daniela Reimann, Werner Futterer, Sebastian Biefang | ||
| Vol 5, No 6 (2011), Pagination: 117-126 | ||
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| Is Ethnic Labelling of Māori Art Cultural Apartheid? | ||
| Robert Hans George Jahnke | ||
| Vol 5, No 6 (2011), Pagination: 127-136 | ||
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| A Model of Multidisciplinary Collaboration for the Art Licensing Industry | ||
| Chih-Hsiang Ko | ||
| Vol 5, No 6 (2011), Pagination: 137-147 | ||
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| Rodney Gooch’s Role and Influence in the Development of the Utopia Art Movement: A History of the Art Movement and Rodney Gooch’s Role within it | ||
| Chrischona Schmidt | ||
| Vol 5, No 6 (2011), Pagination: 149-161 | ||
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| Scandalous Practice: Between Architecture and Art | ||
| Alessandro Zambelli | ||
| Vol 5, No 6 (2011), Pagination: 163-174 | ||
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| Eating Architecture in Search for a Garden: A New Paradigm for Design | ||
| Paul Zorr | ||
| Vol 5, No 6 (2011), Pagination: 175-184 | ||
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| Desiring Diagrams: Aesthetic Practices of Cartographic Fragmentation and the Deleuzian Erewhon | ||
| Helena Shaskevich | ||
| Vol 5, No 6 (2011), Pagination: 185-196 | ||
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| Frederick Jackson Turner’s “Frontier Thesis”, Avatar (2009), and the Representation of Native Americans in Hollywood Film | ||
| Frank Scheide | ||
| Vol 5, No 6 (2011), Pagination: 197-210 | ||
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| “Supporting Arts and Enterprise Skills in Communities through Creative Engagement with the Local Area” | ||
| Paul Haywood, Sam Ingleson | ||
| Vol 5, No 6 (2011), Pagination: 211-224 | ||
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| The Crafts in a Post Colonial Culture | ||
| Michael Moore | ||
| Vol 5, No 6 (2011), Pagination: 225-234 | ||
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| When Traditional Craftsmanship Encounters Technology: A Retrospective Presentation of a Biennale Artist’s Artistic Path Over the Last 25 Years | ||
| Eva Man-Wah Yuen | ||
| Vol 5, No 6 (2011), Pagination: 235-242 | ||
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| Framing Madness: Anthony Mannix and the Art of Schizophrenia | ||
| Gareth Jenkins | ||
| Vol 5, No 6 (2011), Pagination: 244-253 | ||
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| Who are We Now?: Blue Room at the Bluecoat | ||
| Sally Olding | ||
| Vol 5, No 6 (2011), Pagination: 255-260 | ||
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| Gazing Boldly Back and Forward: Urban Aboriginal Women Artists and New Global Feminisms in Transnational Art | ||
| Ruth Skilbeck | ||
| Vol 5, No 6 (2011), Pagination: 261-276 | ||
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| Ecology and the Arts | ||
| Jan Curtis | ||
| Vol 5, No 6 (2011), Pagination: 278-286 | ||
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| Mirror, Mirror on the Wall, Who Am I ?: Self Study using Visual Narrative to Improve Practice | ||
| Coral Cara | ||
| Vol 5, No 6 (2011), Pagination: 287-306 | ||
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| Poesia Visiva: Italian Concrete and Visual Poetry of the 1960s and 1970s | ||
| Maria (Connie) Tornatore-Loong | ||
| Vol 5, No 6 (2011), Pagination: 307-347 | ||
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