Asian Journal of Home Science

Mandeep Kaur ¹, Sandeep Bains ¹, Sumeet Kang Grewal ¹, Neelam Grewal ¹

Affiliations
1 Department of Apparel and Textile Science, College of Home Science, Punjab Agricultural University, Ludhiana (Punjab), IN

Abstract

Handicrafts offer reflections to the artistic creativity rendered by the people of a region producing a traditional masterpiece even though moulded with the winds of time. These crafts serve as the ischolar_mains of the ethnic fashions that shape the trends and innovations of the coming future. Phulkari craft is from the land of five rivers - Punjab which has experienced such transformation emerging out of the changing times and trends. The artefact being an important element of the cultural heritage of Punjab needs to be revitalized. The various traditional aspects of the craft need to be compared with its modern form to review all transformations. Documentation of both traditional and contemporary articles worked with Phulkari embroidery was undertaken to study the historical aspects and the modifications. The work was an attempt to preserve the essence of the craft serving the interest of the future generations.

Keywords

Phulkari, Hand Embroidery, Motifs, Traditional Craft.

Full Text

     

Khushwinder Kaur ¹, Sandeep Bains ¹, Sumeet Grewal ¹

Affiliations
1 Department of Apparel and Textile Science, College of Home Science, Punjab Agricultural University, Ludhiana (Punjab), IN

Abstract

Soxhlet method was used for the extraction of False dasiy with methanol. The antimicrobial activity of false daisy extract was determined by the Disc diffusion method and determine the optimum values of three concentrations 3, 5, 7 g/lit. and time values 12, 18, 24 hours whereas temperature, medium and pH used for optimization of extraction conditions were kept constant. False daisy extract was applied on cotton fabric by direct and microencapsulation techniques. The physical properties of untreated and treated fabric were assessed to determine the appearance, performance and serviceability of the fabric. The test samples were assessed for fabric weight, thickness, drapability, bending length, flexural rigidity, crease recovery, moisture regain, tensile strength, elongation, whiteness index using standard test methods. The efficacy of the microencapsulated samples assessed by testing antimicrobial activity after 5, 10, 15, 20 launder-o-meter washing cycles. The absorbance value of microencapsulated sample after 0 washes 1.102 and 1.757 even after 20 washing cycles. False daisy shows greater reduction of bacterial growth. The antimicrobial activity of microencapsulated sample significantly reduced after every washing cycle.

Keywords

Antimicrobial, Cotton, Efficacy, Optimization, Microencapsulation.

Full Text

     

Sandeep Bains ¹, Devinder Kaur ¹, Manisha Sethi ¹

Affiliations
1 Department of Apparel and Textile Science, Punjab Agricultural University, Ludhiana (Punjab), IN

Abstract

The major problem encountered by the Ber fruit farm workers is during plucking the fruit, in which they get cuts and wounds on hands/arms and legs due to thorns and splinters. This leads to large lesions and infection. Looking into their problem cost effective protective clothing were developed for the farm workers working in Ber fruit orchards to meet occupational health hazards. The developed Kurta pyjama as protective clothing was stitched from non woven fabric of 70 GSM and underlining of 100% cotton fabric with 126 GSM. To further prevent the thorns from entering the body, Nehru Collar was stitched at neck, with front opening and elastic band at the full length sleeves and ankle of Pyjama.

Keywords

Ber, Protective Clothing, Harvesters, Fruit.

Full Text

     

Anjali Sharma ¹, Sandeep Bains ¹

Affiliations
1 Department of Apparel and Textile Science, Punjab Agricultural University, Ludhiana (Punjab), IN

Abstract

Indian paintings inspire us to create new designs using traditional motifs in textiles. Distinct colourful designs which are associated with the religious and mystical motifs are mostly practiced in the rural folk paintings of India. Madhubani painting have great potential in the international market because of its authenticity and rich heritage. Women paint figures from nature and myth on household and village walls to mark the seasonal festivals of the religious year and special events of life cycle. Madhubani paintings are adorned with colours utilized from indigenous sources along with plants extracts as fixatives. The article deals with the history of Madhubani painting, documentation of Madhubani motifs and studies their symbolism and also the use of natural dyes sources.

Keywords

Madhubani Motifs, Symbolism, Natural Dye, Binder, Fixative.

Full Text

     

Sushila ¹, Sandeep Bains ¹

Affiliations
1 Department of Apparel and Textile Science, College of Home Science, Punjab Agricultural University, Ludhiana (Punjab), IN

Abstract

The study attempts to rematerialize the traditional art of Batik by studying the results obtained on mulberry silk and wool blended fabric. The objectives were to study the art of batik in detail and explore the possibilities of batik design development on mulberry silk/wool blended fabric with vinyl sulphone reactive dye (Cold reactive dyes). Dyeing time, pH, and dye concentration were optimized for the dye and designs were prepared by use of batik method. Optical density of the dye solution was studied to determine the absorbency of dye from the dye solution at different pH, time, and dye concentration. CIE Lab and K/S values were also assessed for determining the optimum dyeing conditions. Good results were achieved when designs were developed and the dyed samples exhibited fair to good wash, light and perspiration fastness.

Keywords

Dyeing, Wool, Silk, Blend, Vinyl Suphone Dyes, Batik, Colorfastness.

Full Text

     

Anjali Sharma ¹, Sandeep Bains ¹

Affiliations
1 Department of Apparel and Textile Science, Punjab Agricultural University, Ludhiana (Punjab), IN

Abstract

The Sanskrit word Kala (art) means the divine characteristic, which direct human acts and thoughts. Every tract of land in India has its own style and pattern of art, which is generally known as its folk art. Inspired from Madhubani painting an attempt was aimed towards developing new designs for cotton Kurtis using Madhubani motifs with pigment dyes utilizing hand painting technique. Motifs were documented from Madhubani painting and twenty motifs were shortlisted and categorized into five different categories animal and bird motif, floral motif, tree of life motif, human motif and sun motif by a panel of ten judges. One motif was selected and adapted from each category of motif for the development of twenty designs with different colour combinations and placement. The developed designs were shown to a panel of ten judges and were asked to choose one best design for the development of final cotton Kurtis. Five cotton Kurtis were developed using selected five designs and placements with pigment dyes of red, green, yellow, blue, black, skin colour and orange colours. The colour fastness grades were evaluated for these pigment dyes to various agencies including: washing, light, rubbing and perspiration. Pigment dye black and red shows excellent (5) grades for wash fastness and perspiration. Good (4) rubbing fastness grades and very good (6) light fastness grades were obtained by red and black pigment dyes. An inventory was prepared to record the views of thirty consumers. In this part the consumers preferred the Kurti K1 with fish motif the most on the basis of design placement, colour combination and overall appearance.

Keywords

Madhubani Motifs, Hand Painting, Pigment Dyes, Cotton Kurtis.

Full Text