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Babel, Rupal
- Exploring the Problems of Craftsmen Involved in Traditional Block Printing
Abstract Views :202 |
PDF Views:0
Authors
Rupal Babel
1,
Sonu Mehta
1
Affiliations
1 Department of Textile and Apparel Designing, College of Home Science, Maharana Pratap University of Agriculture and Technology, Udaipur, Rajasthan, IN
1 Department of Textile and Apparel Designing, College of Home Science, Maharana Pratap University of Agriculture and Technology, Udaipur, Rajasthan, IN
Source
Asian Journal of Home Science, Vol 8, No 1 (2013), Pagination: 82-85Abstract
The earliest recorded history revealed that man decorated the fabric surface with natural sources perhaps his clothing first, than the other items necessary for his existence. India has a rich cultural heritage and its traditional printing is a great source of inspiration for apparel decoration.Keywords
Traditional Block Printing, Craftsmen
References
- Naik, Shailja D. andWiston, Jacquie A. (2006), Surface design is of textile fabrics. New Age International Pvt. Ltd. Publishers, NEW DELHI, INDIA.
- Verma, Pramila (2003). Vastra Vigyan and Paridhan. Bihar Hindi Granth Academy, Bhopal (A.P.) INDIA.
- Anonymous (2010). http : // rajasthantextile.com/woventextile.html.
- Anonymous (2009). http : //www.copperwiki.org/index.php ? title = Block- printing – on – textiles.
- Appraisal of Experiential Learning in Apparel Production
Abstract Views :301 |
PDF Views:0
Authors
Affiliations
1 Department of Textiles and Apparel Designing, College of Home Science, Maharana Pratap University of Agriculture and Technology, Udaipur, Rajasthan, IN
1 Department of Textiles and Apparel Designing, College of Home Science, Maharana Pratap University of Agriculture and Technology, Udaipur, Rajasthan, IN
Source
Asian Journal of Home Science, Vol 8, No 2 (2013), Pagination: 743-745Abstract
The recent adoption of computers in the apparel industry signals a challenge to educators in higher education to revamp the apparel design curricula and include computer-aided design (CAD). Simulations of apparel design and the manufacturing process, aimed at effective transfer of knowledge and skills from classroom to workplace, augment teaching strategies. The Apparel Production Management Centre of Department of Textiles and Apparel Designing, College of Home Science, Udaipur is one of the founder centres of experiential learning established in the year 2008-09 to provide skill oriented hands on training. The strengths of ELC lie in flexibility in manufacturing versatile products in varied cost range with strong fabric base and value addition through creative skills of the budding designers using traditional regional motifs, with the materials of satin mix, tapestry for drapes and even cotton mixes with synthetics for the traditional look.Keywords
Appraisal, Learning, Apparel, Production- Traditional Costumes of Women from Bohra Community in Udaipur, Rajasthan
Abstract Views :315 |
PDF Views:0
Authors
Shruti Rawat
1,
Rupal Babel
1
Affiliations
1 Department of Textiles and Apparel Designing, College of Home Science, Maharana Pratap University of Agriculture and Technology, UDAIPUR (RAJASTHAN), IN
1 Department of Textiles and Apparel Designing, College of Home Science, Maharana Pratap University of Agriculture and Technology, UDAIPUR (RAJASTHAN), IN
Source
Asian Journal of Home Science, Vol 10, No 1 (2015), Pagination: 54-59Abstract
Clothing is a representation of cultures and beliefs. They portray an identity and conform to a social group. The styles uphold varies from castes to tribes and religions. In Islam, women conceal their bodies and wear a 'hijab' or veil called 'burqa'. They believe that adherence to hijab is a manifestation for chastity and modesty. The burqa comes in various styles and varies from country to country. The one worn by the Bohras is completely different from the ones worn by the other Muslim communities as these are rather colourful than black. Besides covering oneself, they comparatively enjoy greater access to colours and designs.Keywords
Traditional Costumes, Women, Bohra Community.- Acceptability and Marketability of the Developed Madhubani Shawls
Abstract Views :220 |
PDF Views:0
Authors
Affiliations
1 Department of Textiles and Apparel Designing, College of Home Science, Maharana Pratap University of Agriculture and Technology, Udaipur (Rajasthan), IN
1 Department of Textiles and Apparel Designing, College of Home Science, Maharana Pratap University of Agriculture and Technology, Udaipur (Rajasthan), IN
Source
Asian Journal of Home Science, Vol 12, No 2 (2017), Pagination: 466-468Abstract
The present study explores the possibility of development of shawls through hand painting using Madhubani Motifs. The objective of present study was to assess the acceptability and marketability of developed shawls using Madhubani motifs. The study results revealed that developed products were highly appreciated by all the respondents. The most preferred shawl was S5 with first rank. Acceptability range of all the products ranged from 77 per cent to more than 83.83 per cent. Cost of all products ranged between Rs. 685 to Rs. 730.Keywords
Madhubani Painting.References
- Das, N. (2013). Madhubani paintings: Its existence and possibility. Internat. J. Scientific & Res. Publications, 3 (4): 1-7.
- Jyotsna, A. and Padma, A. (2003). Development of designs from madhubani painting on kameez sets. Textile Trends, 46 (1): 27-30.
- Pandya, A. and Vishwakarma, A. (2010). Rogan the traditional hand painted textile of Gujarat. Indian J. Traditional Knowledge, 9 (3): 644-650.
- Sharma, A. and Parwana, J.M. (2010). Mithila (Madhubani) painting: A pride of Mithilanchal (Bihar). Textile Trends, 53 (1): 25-31.
- Srivastava, M. and Rajvanshi, R. (2008). Simulation of textile design from phad paintings for fashion apparels in different colour ways textile design software. Man Made Textiles India, 51 (3): 309-312.
- Yates, M (1996). Textiles; A handbook for Designers. New York, London. W.W. Norton & Company, Inc. pp 38-39.
- Designing Shoes Through Hand Painting Using Kalamkari Designs
Abstract Views :234 |
PDF Views:0
Authors
Affiliations
1 Department of Textiles and Apparel Designing, College of Home Science, Maharana Pratap University of Agriculture and Technology, Udaipur (Rajasthan), IN
1 Department of Textiles and Apparel Designing, College of Home Science, Maharana Pratap University of Agriculture and Technology, Udaipur (Rajasthan), IN
Source
Asian Journal of Home Science, Vol 12, No 2 (2017), Pagination: 579-582Abstract
Kalamkari painting is a beautiful art form of Andhra Pradesh. The objective of present study was to carry out the documentation of design from Kalamkari painting and to develop value added shoes through hand painting using Kalamkari art. The effort was targeted towards finding the possibility of applying Kalamkari designs on shoes utilizing the hand painting. Total thirty motifs were developed keeping in mind their suitability for shoes. Developed design sheets were subjected to visual evaluation by five point rating scale for selection of fifteen appropriate designs out of thirty selected designs by clothing and textile experts. Finally ten pair of shoes was prepared by using ten most suitable designs out of fifteen selected designs for hand painting and these prepared shoes were highly appreciated by the respondents.Keywords
Kalamkari Painting, Design, Traditional, Acrylic Colours.References
- Jahan (2008). Signification in Indian printings. Retrieved March 2, 2016, from www.indianpainting.com/Fashion html.
- Purohit, P. and Kumar, M. (2013). The study of traditional hand painted kalamkari to design a set of new age prints. M.Sc. Thesis, N.I.F.T., Mumbai.
- Sharma, M. and Singh, J. (2008). Designing and construction of hand bags by using Kalamkari motifs through resist techniques with different surface ornamentations. www.fibre2fashion.com.