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Sharma, Sandhya
- Comparative Study of Performance:Swang and Bretolt Brecht's Epic Theatre and Verfremdungseffekt
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Authors
Affiliations
1 Culture, Chaudhry Charan Singh Haryana Agricultual University, Hisar, Haryana, IN
2 Folk-Dramatist, Chaudhry Charan Singh Haryana Agricultual University, Hisar, Haryana, IN
1 Culture, Chaudhry Charan Singh Haryana Agricultual University, Hisar, Haryana, IN
2 Folk-Dramatist, Chaudhry Charan Singh Haryana Agricultual University, Hisar, Haryana, IN
Source
Indian Journal of Health and Wellbeing, Vol 9, No 7 (2018), Pagination: 934-936Abstract
Ancient folk theatre of India, Swang has a spectacular 2 similarity with Bretolt's Brecht's Verfremdungeffekt. Bretolt Brecht always advocated the entertainment with purpose. Same way Swang an epic theatre form of India is also advocating the same objective. In this study we tried to compare these forms in detail how both performance serve the same purpose.Keywords
Swang and Bretolt Brecht's Epic Theatre, Cerfremdungseffekt.
References
- Brecht, Random House Unabridged Dictionary
- "Brecht, Bertolt: definition of Brecht, Bertolt in Oxford dictionary (American English) (US)".
- "Brecht- Weigel-Gedenkstatte-ChausseestraBe 125-10115 Berlin-Akademie der Kiinste Akademie der Kiinste Berlin".
- "Brecht on Theatre: The Development of an Aesthetic" Translated and Edited by John Willett,page91
- "Brecht on Theatre: The Development of an Aesthetic" Translated and Edited by John Willett,page92
- "Haryana- Folk theatre of Haryana-State in India", www.webindial23.com. Retrieved 2017-12-05.
- Sachchidananda Encyclopaedic Profile of Indian Tribes Volume 1 1996 817141298X p416 "DANCE DETAILS One of the major dance forms of the Saharia is 'Swang' meaning imitation. In this form of dance the Saharias imitate human beings,"
- Swang The Folk Dance of Malwa
- The introduction of this article draws on the following sources: Banham (1998, 129); Burger (1984, 8792); Jameson (1998, 4358); Kolocotroni, Goldman, and Taxidou (1998, 465466); Williams (1993, 277290); Wright (1989, 6889; 113137).
- Social Development and Folk Theatre (Swang)
Abstract Views :610 |
PDF Views:2
Authors
Affiliations
1 Department of Culture, CCSHAU, Hisar, Haryana, IN
2 Exhibition Officer, CCSHAU, Hisar, Haryana, IN
1 Department of Culture, CCSHAU, Hisar, Haryana, IN
2 Exhibition Officer, CCSHAU, Hisar, Haryana, IN
Source
Indian Journal of Health and Wellbeing, Vol 10, No 4-6 (2019), Pagination: 166-169Abstract
Swang is India's most ancient Folk opera Theatre. Folk Theatre is a composite art form in India with a fusion of elements from music, dance, pantomime, versification, epic and ballad recitation, graphic and plastic arts, religion and festival peasantry. Swang having ischolar_mains in native culture is embedded in local identity and social values. Besides providing mass entertainment, it helps Indian society as indigenous tools of interpersonal, inter-group and intervillage communication for ages. Swang has been used extensively in India to propagate critical social, political and cultural issues in the form of theatrical messages to create awareness among the people. As an indigenous form it breaks all kinds of formal barriers of human communication and appeals directly to the people. Realising the importance and powerfulness of the traditional medium. People in rural areas should be approached through traditional-folk forms of communication in addition to electronic media. Bhagat, Mach, Tamasha, Nautanki and all most all the folk theatre is Generated from Swang. Different forms of Folk Theatre in India are traditional way of Communication and constitute a potential source for conveying messages for Social, Economic and Cultural Development which ultimately helps in overall Nationaal Development.Keywords
Folk Theatre, Swang, Social Development, National Development.References
- An Outline of Indian Folklore - Bhagavat
- Ahistory of Jana NatyaManch: Plays for the People- Arjun Ghosh
- Evaluating the role of Street Theatre for Social Communication-Ankita Banerjee
- Folk Arts and Social Communication -D.Mukhopadhyay
- Interpreting Theatre as a Communication Medium- Kapil Kumar.Bhattacharyya
- Role of Theatre and Folk Media in promoting Social Development- Baishakhi- Nag
- Satellite Television and the Internet - K Suman
- Theatres of Independence: Drama, Theory, and Urban performance in India - Apama Bhargava.
- The Performing Arts and Development in India - Kidd, Ross
- Traditional Media and Development Communication - K. Madhusudhan