| Issue | Title | |
| Vol 11, No 1 (2014) | Bixie: The Emblem of Nanjing | Abstract |
| Min-Chia Young | ||
| Vol 11, No 4 (2014) | King Lear, 'Divide and Rule' and Contemporary India: Reading King Lear as a Postcolonial Text to Critique Patriarchal Nationalism in Contemporary India | Abstract |
| Preti Taneja | ||
| Vol 10, No 1 (2013) | A Poetry of Science or a Science of Poetry?: The Speculative Method of Erasmus Darwin (1731-1802) | Abstract |
| John Charles Ryan | ||
| Vol 12, No 1 (2014) | A Revolution in the Making: Three Egyptian Plays after January 25th, 2011 | Abstract |
| Mahasen Badra | ||
| Vol 10, No 4 (2013) | Agency in Rgveda Book 2: Comparative Examination and Philosophical Implications | Abstract |
| Astrid Vicas | ||
| Vol 10, No 4 (2013) | Alien: The Pre-oedipal Horror of (m)Other | Abstract |
| Jaime Bihlmeyer | ||
| Vol 10, No 3 (2013) | Back to the Future: Françoise d'Eaubonne, Ecofeminism and Ecological Crisis | Abstract |
| Danielle Roth-Johnson | ||
| Vol 13, No 1 (2015) | Blind Obedience: Postcolonialism, Disability, and Democracy | Abstract |
| Hala Ghoneim | ||
| Vol 10, No 2 (2013) | Bring out your Dead: The Ethical Dilemmas of Writing Family Secrets | Abstract |
| Natalie Kon-yu | ||
| Vol 11, No 1 (2014) | Capitalism and Fabrication of Hyper-Reality: A Baudrillardian Reading of Margaret Atwood's Oryx and Crake | Abstract |
| Sima Farshid, Behnam Moradizadeh | ||
| Vol 10, No 2 (2013) | Celie's Empowered Identity in Alice Walker's "The Color Purple" | Abstract |
| Iman Hami | ||
| Vol 11, No 3 (2014) | Children in Graham Greene's Borderlands | Abstract |
| Mabel Deane Khawaja | ||
| Vol 10, No 2 (2013) | Chinese and English Literary Scholarship on Ang Lee's Lust, Caution: The Necessity for Crosscultural Communication in the 21st Century | Abstract |
| Richard Douglass-Chin | ||
| Vol 11, No 4 (2014) | Classical Literature in a Harsh World | Abstract |
| Javier Martinez | ||
| Vol 11, No 4 (2014) | Comedy, Creativity, and Culture: A Metamodern Perspective | Abstract |
| Michael M. Meany, Tom Clark, Liisi Laineste | ||
| Vol 10, No 2 (2013) | Compassion through the Image of the Mother: A Comparative Examination of the Images and Mantras of Mary and Tara | Abstract |
| Krista Rodin | ||
| Vol 10, No 2 (2013) | "Double Exposure": The Haunting Voice of Hong Kong and the Politics of Translation | Abstract |
| Dorothy Wong | ||
| Vol 10, No 1 (2013) | Early National Identity-Building in John Kirk Townsend's "Narrative of a Journey across the Rocky Mountains" | Abstract |
| Li-Ru Lu | ||
| Vol 13, No 1 (2015) | Edwidge Danticat’s “New York Day Women” and Social Distancing | Abstract |
| Julia Kadlec-Wagner | ||
| Vol 10, No 2 (2013) | "El Proceso" of Argentine Imprisonment: An Historical Perspective Regarding Marianismo Representation in Manuel Puig's "Kiss of the Spider Woman" | Abstract |
| Brian Michael Padgett | ||
| Vol 10, No 3 (2013) | "Hideous Progeny": Representing the Unconscious in English Narrative before Freud | Abstract |
| Charles Campbell | ||
| Vol 11, No 4 (2014) | History and Storytelling: Tracking Clues in Thomas Pynchon’s V. and Christa Wolf’s Cassandra | Abstract |
| Victoria de Zwaan | ||
| Vol 10, No 2 (2013) | Humanizing Mathematics and Science Education: Promoting Discursive Meaning-Making, Scientific Knowledge-Building, and Technological Literacies | Abstract |
| Ana Maria Klein | ||
| Vol 11, No 2 (2014) | Imagined Communities and Gypsy Stereotypes: The Spanish Film Alma Gitana | Abstract |
| Milagros Lopez-Pelaez Casellas | ||
| Vol 10, No 3 (2013) | Indigenous Ritual, Girardian Sacrifice, and Sense of Place in The Last of the Mohicans and Hope Leslie | Abstract |
| Kay Yandell | ||
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