Table of Contents
Vol 6, No 6 (2012)
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Articles
| Time-Space: A Collaboration in Dance and Architecture | ||
| Nicholas Johnson | ||
| Vol 6, No 6 (2012), Pagination: 167-177 | ||
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| Depicting Artist and Viewer: Performed Aesthetics in Kalidasa's "Sakuntala" | ||
| Ellwood H. Wiggins | ||
| Vol 6, No 6 (2012), Pagination: 179-192 | ||
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| The Involvement of Ethnic Minority Communities in Education through the Arts: Intercultural Arts Education in Action | ||
| Kelone Khudu-Petersen | ||
| Vol 6, No 6 (2012), Pagination: 193-208 | ||
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| Implementing Music Therapy-Based Intergenerational Programs in the Community | ||
| Melita Belgrave | ||
| Vol 6, No 6 (2012), Pagination: 1-10 | ||
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| Utilising Psychanalytic Theories to Frame Some of the Difficulties Facing the Emerging Creative Subject at Art School Today | ||
| Ingrid Boberg | ||
| Vol 6, No 6 (2012), Pagination: 11-21 | ||
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| Restoring Inanna and the Huluppu Tree: The Productive Tension between Creativity and Data in Practice-Led Research | ||
| Raelene Bruinsma | ||
| Vol 6, No 6 (2012), Pagination: 209-221 | ||
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| What is Community Arts?: Three Women's Professional Journeys through Lesley University's Master's Program | ||
| Rebecca Ann S. Kirk, Kelsey Fox Bennett, Angela Lembke | ||
| Vol 6, No 6 (2012), Pagination: 23-29 | ||
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| A Sociological Approach of the Art Curriculum in Greek Primary Education: The Subject's Social Status in the Intented and Implemented Curriculum | ||
| Gerasimos Koustourakis | ||
| Vol 6, No 6 (2012), Pagination: 31-41 | ||
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| Heitor Villa-Lobos and 'Choros' No. 3: Modernism, Nationalism, and "Musical Anthropophagy" | ||
| Gabriel Augusto Ferraz | ||
| Vol 6, No 6 (2012), Pagination: 223-245 | ||
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| Community Publishing and Poetry Translation in a Post-Colonial Context | ||
| Christopher (Kit) Kelen | ||
| Vol 6, No 6 (2012), Pagination: 43-65 | ||
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| Arts and the Re-Appropriation of Culture in Native Societies in Quebec, Canada: The Production of "N'teishkan", a Documentary Film about Traditional Knowledge | ||
| Geraldine Laurendeau | ||
| Vol 6, No 6 (2012), Pagination: 247-264 | ||
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| Meditative Drawing: Creative Drawing as a Way of Thinking | ||
| Ahmed Kadry Hussein | ||
| Vol 6, No 6 (2012), Pagination: 265-274 | ||
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| Orientalism and David Hockney's Cavafy Etchings: Exploring a Male-Positive Imaginative Geography | ||
| Dennis S. Gouws | ||
| Vol 6, No 6 (2012), Pagination: 275-285 | ||
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| Artists and Gentrification in Specific Urban Contexts. A Case Study from Williamsburg, New York | ||
| Oddrun Saeter, Venke Aure, Kristin Bergaust | ||
| Vol 6, No 6 (2012), Pagination: 67-82 | ||
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| Fundamental Malpractice: Editorial Shaping of Arts Policy and Perception by a New Zealand Newspaper | ||
| Judith Bernanke | ||
| Vol 6, No 6 (2012), Pagination: 83-98 | ||
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| The Suburban Landscape Reframed Utilising New and Traditional Technologies to Visualise Changing Notions of Place and Belonging | ||
| Maureen Ryan, Jennifer Kamp, Megan Evans | ||
| Vol 6, No 6 (2012), Pagination: 99-115 | ||
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| Piano Trios of Fanny Hensel and Clara Schumann | ||
| Sock Siang Thia | ||
| Vol 6, No 6 (2012), Pagination: 117-139 | ||
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| Creative Qualities of Mourning: Artists Responding to Loss Today | ||
| Kira Van Lil | ||
| Vol 6, No 6 (2012), Pagination: 141-155 | ||
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| Going Places: Arts and Literature in Hotels and Railway Stations | ||
| Ulrike Zitzlsperger | ||
| Vol 6, No 6 (2012), Pagination: 157-166 | ||
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