Table of Contents
Vol 2, No 1 (2007)
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Articles
| Scenic Spaces in the Diaspora: Theater from Immigrant Artists in Barcelona | ||
| Estela Rodriguez | ||
| Vol 2, No 1 (2007), Pagination: 1-6 | ||
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| The Labyrinthine Man: Roland Barthes, Photography, and the Subjective Experience | ||
| Erin Schwartz | ||
| Vol 2, No 1 (2007), Pagination: 7-12 | ||
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| Dancing with Information Literacy: Coaching the Undergraduate Performance Arts Researcher through the Information Literacy Process | ||
| Kathryn Boudreau Patten, Kim Neal Nofsinger | ||
| Vol 2, No 1 (2007), Pagination: 13-19 | ||
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| Graphic Novels as Cognitive and Creative Support for Emergent Literacy Learners: Integrating Multimedia Components into the Traditional and Innovative Emergent Literacy Learner Instructional Environment | ||
| Denise McDonald, Caroline M. Crawford | ||
| Vol 2, No 1 (2007), Pagination: 21-28 | ||
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| A Defense of Aesthetic Moralism | ||
| Joshua S. Heter | ||
| Vol 2, No 1 (2007), Pagination: 29-32 | ||
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| The Art of Diaspora, Relocation, and Dislocation: Examining Barrio and Low Rider Art Created by English Language Learners | ||
| Dorothy Valcarcel Craig, Johnna Paraiso | ||
| Vol 2, No 1 (2007), Pagination: 33-41 | ||
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| Audiences Authoring Authors: Audience Production of Value, the Culture Industry, and Copyright | ||
| Tim MacNeill | ||
| Vol 2, No 1 (2007), Pagination: 43-50 | ||
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| Linking the Arts with Human Rights Education: Theatre for Development and Child Rights | ||
| Kaya J. Chwals | ||
| Vol 2, No 1 (2007), Pagination: 51-55 | ||
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| Stretching the Boundaries of Words: Fractal Art Theory and the Writing of Poetry | ||
| Kathleen E. Dusenbery | ||
| Vol 2, No 1 (2007), Pagination: 57-63 | ||
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| The Changing Faces of Typographic Fonts | ||
| Mario Minichiello, Liz Minichiello | ||
| Vol 2, No 1 (2007), Pagination: 65-72 | ||
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| Room for Creativity: The Role of Affordable Artists' Live/Work Space in the New Economy | ||
| Paul Nagle | ||
| Vol 2, No 1 (2007), Pagination: 73-80 | ||
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| Brazilian Interventionist Art in the Midst of Mass Culture: Challenging? Negotiating? Or Infiltrating?: Cultural Appropriations as Aesthetic Strategy | ||
| Denise Carvalho Bergstrom | ||
| Vol 2, No 1 (2007), Pagination: 81-92 | ||
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| The Making of an Artist: Building on Past Practices While Looking to the Future | ||
| Pamela Flynn | ||
| Vol 2, No 1 (2007), Pagination: 93-96 | ||
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| Malleus Maleficarum: Beware! Architecture and the Arts in our Midst | ||
| Ioannis C. Yessios, Olga Pantelidou | ||
| Vol 2, No 1 (2007), Pagination: 97-103 | ||
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| Art, Architecture, and Processes of Public Engagement | ||
| Lora Senechal Carney, Mark Chilton | ||
| Vol 2, No 1 (2007), Pagination: 105-113 | ||
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| Worldmaking as Art Form | ||
| James DiGiovanna | ||
| Vol 2, No 1 (2007), Pagination: 115-122 | ||
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| Recipe Art: Corporate Kitchens and Biotech Encounters | ||
| Lindsay Kelley | ||
| Vol 2, No 1 (2007), Pagination: 123-130 | ||
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| Redefining the Creative Process: Challenges and Relations from Social Psychology in the Postmodern Era | ||
| Albert Farre-Cobos | ||
| Vol 2, No 1 (2007), Pagination: 131-135 | ||
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| One Reason the Time to Complete A Painting has Declined: Painting, Style Change and Productivity | ||
| Eugene Smolensky, Jeongsoo Kim | ||
| Vol 2, No 1 (2007), Pagination: 137-145 | ||
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| "Mozart is all about Creativity": Deconstructing the Music Image of Vienna in the Mozart Year 2006 | ||
| Anita Schlogl | ||
| Vol 2, No 1 (2007), Pagination: 147-151 | ||
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| The Flower and the Breaking Wheel: Burkean Beauty and Political Kitsch | ||
| C. E. Emmer | ||
| Vol 2, No 1 (2007), Pagination: 153-164 | ||
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| Greek Cultural Policy after the 2004 Summer Olympics | ||
| Theodore Koutsobinas | ||
| Vol 2, No 1 (2007), Pagination: 165-171 | ||
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| Art Rules: Are Museums Cultural Palaces or Tourist Spectaculars? | ||
| Cheryl Hardy | ||
| Vol 2, No 1 (2007), Pagination: 173-182 | ||
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| Influence of Modern Art on Early 20th-Century Advertising Art | ||
| Kimberly A. Selber | ||
| Vol 2, No 1 (2007), Pagination: 183-191 | ||
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| Community Creative Capital: UNESCO’s Intangible Heritage Politics Revisited at the Bulgarian Chitalishte | ||
| Nadezhda Dimitrova Savova | ||
| Vol 2, No 1 (2007), Pagination: 193-203 | ||
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| The Solar Familiar: Fact and Fiction in Photography and Visual Anthropology | ||
| Marcus G. J. Williams, Susan E. Jowsey | ||
| Vol 2, No 1 (2007), Pagination: 205-214 | ||
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| Saints and the Sex Farce: Gertrude Stein Plays on Avery Hopwood’s “The Demi-Virgin” | ||
| Linda Voris | ||
| Vol 2, No 1 (2007), Pagination: 215-224 | ||
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| The Condition of Contemporary Artists and the Global Biennial | ||
| Alisha McCurdy | ||
| Vol 2, No 1 (2007), Pagination: 225-229 | ||
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| Redrafting Scripted Identities through Visual Irony: An Economic Narrative of Art in Puerto Rico | ||
| Rachel Ellis | ||
| Vol 2, No 1 (2007), Pagination: 231-240 | ||
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| Contextualizing the "Poetics of Openness" in the Works of Jasper Johns and Ji Lee | ||
| Cynthia Browne | ||
| Vol 2, No 1 (2007), Pagination: 241-246 | ||
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