Table of Contents
Vol 3, No 4 (2009)
Open Access
Subscription Access
Articles
Experimental Animation in a Post-Critical Age | ||
Andrew Selby | ||
Vol 3, No 4 (2009), Pagination: 1-5 | ||
ABSTRACT | PDF | Abstract Views: 127 | PDF Views: 0 |
Tonal Textures and Reflective Practices: Teacher as Researcher in Integrated-Arts Inquiry | ||
Lorna Ramsay | ||
Vol 3, No 4 (2009), Pagination: 7-11 | ||
ABSTRACT | PDF | Abstract Views: 88 | PDF Views: 0 |
The Black Woman in Me: You don’t have to Call Me Beautiful | ||
OluwaTosin Adegbola | ||
Vol 3, No 4 (2009), Pagination: 13-21 | ||
ABSTRACT | PDF | Abstract Views: 110 | PDF Views: 0 |
Applying Traditional “Iznik Chini” Themes in Contemporary Pattern and Fashion Design | ||
Dilek Alkan Ozdemir | ||
Vol 3, No 4 (2009), Pagination: 23-32 | ||
ABSTRACT | PDF | Abstract Views: 108 | PDF Views: 0 |
Working Space: The Visual Style of Jean Vilar and Leon Gischia | ||
Marie Botkin | ||
Vol 3, No 4 (2009), Pagination: 33-37 | ||
ABSTRACT | PDF | Abstract Views: 85 | PDF Views: 0 |
Paintings you can Walk Through: The Expansive World of Painting in the Work of Katharina Grosse | ||
Mary Wenholz | ||
Vol 3, No 4 (2009), Pagination: 39-46 | ||
ABSTRACT | PDF | Abstract Views: 103 | PDF Views: 0 |
Art for the People: Street Performance in Hong Kong | ||
Bonnie Yuen Yan Chan, Nga Yu Lee | ||
Vol 3, No 4 (2009), Pagination: 47-52 | ||
ABSTRACT | PDF | Abstract Views: 108 | PDF Views: 0 |
“A Composite Photograph of Images”: Semiotic Iconicity in Picasso’s Guernica | ||
Chiara Ambrosio | ||
Vol 3, No 4 (2009), Pagination: 53-59 | ||
ABSTRACT | PDF | Abstract Views: 84 | PDF Views: 0 |
The Chinese Collection of Nathan Dunn: Its Origin, Travels and Influence on the Arts of Britain | ||
Nancy B. Wilkinson | ||
Vol 3, No 4 (2009), Pagination: 61-69 | ||
ABSTRACT | PDF | Abstract Views: 121 | PDF Views: 0 |
Influential Pioneers: The Lives and Vocal Works of Nadia and Lili Boulanger | ||
Loralee Songer | ||
Vol 3, No 4 (2009), Pagination: 71-80 | ||
ABSTRACT | PDF | Abstract Views: 151 | PDF Views: 2 |
Environmental Art and the Production of Publics: Responding to Environmental Change | ||
Emily Potter | ||
Vol 3, No 4 (2009), Pagination: 81-86 | ||
ABSTRACT | PDF | Abstract Views: 118 | PDF Views: 0 |
Drawing in the Margins: Understanding Doodles | ||
Elena Slobtseva | ||
Vol 3, No 4 (2009), Pagination: 87-95 | ||
ABSTRACT | PDF | Abstract Views: 106 | PDF Views: 0 |
A Systematic Evaluation of State and EU Funded Projects | ||
Margaret Garfield | ||
Vol 3, No 4 (2009), Pagination: 97-113 | ||
ABSTRACT | PDF | Abstract Views: 143 | PDF Views: 0 |
Imaginative Ownership: Nurturing the Peer Group Community in Film at Degree Level | ||
Daniel Whistler | ||
Vol 3, No 4 (2009), Pagination: 115-120 | ||
ABSTRACT | PDF | Abstract Views: 103 | PDF Views: 0 |
Elvis Framed in Velvet: Fandom and Fanaticism in Modern Culture | ||
Sonja Luther | ||
Vol 3, No 4 (2009), Pagination: 121-126 | ||
ABSTRACT | PDF | Abstract Views: 111 | PDF Views: 0 |