Table of Contents
Vol 5, No 4 (2010)
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Articles
| Expression of Art and Beauty in Rural Communities | ||
| Mansoureh Tahbaz, Salehe Bokharaei | ||
| Vol 5, No 4 (2010), Pagination: 1-38 | ||
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| Can Public Artwork Assist in Remembering, Memorializing and Honoring Events, Heroes and Icons? | ||
| Salvatore M. Di Mauro | ||
| Vol 5, No 4 (2010), Pagination: 39-58 | ||
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| Addressing Music Intelligence Across the Curriculum | ||
| Christina Grant | ||
| Vol 5, No 4 (2010), Pagination: 59-70 | ||
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| Representing the Mind: The Psyche on Film (Memento and Donnie Darko) | ||
| E. Anna Claydon | ||
| Vol 5, No 4 (2010), Pagination: 71-79 | ||
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| The Impact of Visual Diversity on Critical Visual Literacy | ||
| Anahit Falihi, S. E. Stewart | ||
| Vol 5, No 4 (2010), Pagination: 81-91 | ||
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| Imagining the “Arab Other”: The Role of the Media in Constructing Islamic Identity | ||
| Louise Ryan | ||
| Vol 5, No 4 (2010), Pagination: 93-104 | ||
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| The Discursive Practice of Waiting for Godot Re-Actualized as Beijing Opera on Taiwan Stage | ||
| Wah Cheung | ||
| Vol 5, No 4 (2010), Pagination: 105-118 | ||
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| Drowning Girl: Water and the Feminine Body | ||
| Fiona Edmonds-Dobrijevich | ||
| Vol 5, No 4 (2010), Pagination: 119-129 | ||
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| The SuperCyber | ||
| Yueh Hsiu Giffen Cheng | ||
| Vol 5, No 4 (2010), Pagination: 131-144 | ||
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| Representing Australia: Shaun Gladwell at the 2009 Venice Biennale | ||
| Aija Laura Zivitere | ||
| Vol 5, No 4 (2010), Pagination: 145-152 | ||
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| Contemporary Theatre and the Experiential | ||
| Kate Adams | ||
| Vol 5, No 4 (2010), Pagination: 153-163 | ||
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| Community and Civic Engagement through the Arts | ||
| Kevin Marshall | ||
| Vol 5, No 4 (2010), Pagination: 165-171 | ||
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| Students’ Opinions and Applications Regarding Contemporary Art | ||
| A. Dilek Kiratli | ||
| Vol 5, No 4 (2010), Pagination: 173-182 | ||
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| Parody and Appropriation: European Art Traditions in the Digital Media Art of China | ||
| Jean Ippolito | ||
| Vol 5, No 4 (2010), Pagination: 183-190 | ||
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| One Man’s Taste: Percy Grainger’s ‘Aims of the Museum’ | ||
| Monica Syrette | ||
| Vol 5, No 4 (2010), Pagination: 191-198 | ||
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| Tactical Bodies: Resistance as Agency among Prisoners | ||
| Natasha Carrington | ||
| Vol 5, No 4 (2010), Pagination: 199-206 | ||
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| The Contemporary Sublime: Liminal Oscillations | ||
| Robert Hermanson | ||
| Vol 5, No 4 (2010), Pagination: 207-224 | ||
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| Contextual Learning: Communities of Practice and Situational Experience in Design Studios | ||
| Toni Mackinnon | ||
| Vol 5, No 4 (2010), Pagination: 225-232 | ||
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| Re-Visiting the Virtual in Byzantine Iconography: A Case of Immersion, Embodiment and Power | ||
| Elena Stylianou | ||
| Vol 5, No 4 (2010), Pagination: 233-242 | ||
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| What We Need Now Is A Poet: A Preemptive Argument for Developing Art in Memory of Haiti’s Earthquake Victims | ||
| Kette Thomas | ||
| Vol 5, No 4 (2010), Pagination: 243-251 | ||
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| Declaring Independence: The Enduring Impact of Judy Chicago’s Installation Artwork “The Dinner Party” and Kay Lawrence’s “Parliament House Embroidery” | ||
| Margaret Mary Baguley, Martin Charles Kerby | ||
| Vol 5, No 4 (2010), Pagination: 253-263 | ||
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| Valerie Gillies’s The Spring Teller (2008) and Questions of Poetic Value | ||
| Laura Severin | ||
| Vol 5, No 4 (2010), Pagination: 265-273 | ||
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| Empowerment for the Future: An Examination of Creative Identity of Young Indigenous Australians | ||
| Luciana Vasques Barbosa | ||
| Vol 5, No 4 (2010), Pagination: 275-281 | ||
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| The Pictorial Syntax in the Background of the Painting ‘ready made de l’histoire dans café flor’ (1987/88) by Jörg Immendorff | ||
| Harry Roedel | ||
| Vol 5, No 4 (2010), Pagination: 283-291 | ||
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| The Arts and Cultural Identity among the Chakma: Indigenous People in Bangladesh | ||
| Arshi Dewan Roy, Aditya Kumar Dewan | ||
| Vol 5, No 4 (2010), Pagination: 293-301 | ||
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